QandA with...Full Tote Odds

Full Tote Odds

Adelaide has become synonymous with the genre of music known as "Aussie Hip Hop," since the Hilltop Hoods made it big on the commercial scene with their hit single "Nose Bleed Section" (2003.) 

Since then, more hip hop artists have come to surface and the genre has been prolific; now a common feature on music festival line ups, and with sharp lyrics and catchy beats, are often the soundtrack to summer for Australian youths every where.

Now, a new group from the Adelaide Hills are making their own impact on the music scene. The four piece group, "Full Tote Odds" are regulars on radio stations both local and national and are showing no signs of slowing down any time soon. With the launch of their album "Place Your Bets" happening in a number of days, Levelheaded, Slats, Eslev, Ross Read and DJ Hacksaw took some time out to talk about their craft.

RTM: How did  Levelheaded, Slats, Eslev, Ross Read and DJ Hacksaw all get together to create Full Tote Odds?

FTO: Levelheaded, Slats and Hacksaw started Train Of Thought in 2000. They released a Demo in 02 and a full length LP Moving Heads in 04. Eslev and Mix Zagger joined in 09 and FTO was born.

RTM: Is there a story behind the groups name?

FTO: It's mainly about taking a gamble in music. We have invested a lot of time (10 years) and money into this art and we just hope it pays off... Kinda like gambling.

RTM: Aussie Hip Hop has blown up in the last decade.  What do you think it takes to stand out as an aussie hip hop artist?

FTO: Production quality. A lot of solid MC's aren't getting the recognition they deserve because their music is not at the level it needs to be to compete on the national stage.

RTM: How would you describe Full Tote Odds' sound?

FTO: Soulful, funky Hip Hop with a twist of boom bap.

RTM: Do Full Tote Odds' follow any formulas when coming up with new tracks?

FTO: Not really, every track is so different, they all come together randomly. The only formula is to continue working on a track until we love it. 

RTM: To someone who had never heard of 'aussie' hip hop, what would you say is its' core? How would you define it?

FTO: The core is truth. You need to be honest and tell it how it is...

RTM: What are the boys from Full Tote Odds' most looking forward to with the release of 'Place Your Bets'?

FTO: Getting out on tour.

RTM: Full Tote Odds are scheduled to tour early 2013 - what can people expect from your live shows?

FTO: Expect a big sound. We have 3 mcs, 2 singers, a DJ and a sound engineer ready to blow the speakers. We are headlining schoolies festival on the 18th and playing Hombake festival on the 8th December, followed by a full national tour in Feb/March 2013.

RTM: Where do you hope to see FTO at this time next year?

FTO: Touring extensively and punching out a new album.

Full Tote Odds are:

Levelheaded

Slats

Eslev

Ross Read

and DJ Hacksaw

Connect with Full Tote Odds on Facebook, Twitter and Triple J Unearthed

Kanye West presents GOOD Music: Cruel Summer

Good Music Cruel Summer

R. Kelly, Big Sean, John Legend, Kid Cudi and, of course, BFF Jay-Z are just some of the big wigs that emerge, with this album, from the dirty depths of old-school rap with a stank like it’s fresh from the ghetto. 

You’re immediately hooked when Big Sean starts throwing creamy rhymes your way in Clique – a clique you definitely want to be a part of: Ye, Rih, B and LeBron are mentioned by Jay-Z. And Kanye? Well he goes on with lyrics to inspire jealousy about the outrageous success of Niggas in Paris, his Maybach and being neighbours with TC. A bit OTT but classic Kanye nonetheless.

Mercy spits thick, nose-wrinkling beats at you with fiery force. They glare at you sideways. It’s undoubtedly the best song on the album. It is truly filthy. Big Sean, Pusha T, 2 Chainz and Kanye himself fill the beats with the dirtiness they deserve. Wind the windows down and sink low in your seat, one hand on the wheel. Sure enough, you’ll start believing you’re the baddest kid in town.

Kid Cudi and Kanye West

Take it down a notch and get yourself some romancing tips, hustler style, from Bliss. John Legend and Teyana Taylor tell the typical love story of girl meets boy, boy takes girl to London in his private jet while showering her in gifts from Tiffany. Okay, not so typical. But this song is as smooth as silk and John Legend’s voice is unbelievably cool. The track is complementary yet stands alone within the album, which manages to maintain its street cred even without one mention of the ‘n’ word.

This entire album is seriously cool. It takes it back to the streets, with subtleties of rap beginnings. It’s stripped to basics, the songs riddled with clever rhymes and a brilliant beat, all performed by some insanely successful artists – hand-picked by Ye, it’s his custom-made album. Best played loud.

By Natalie Brunoli

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Gig Review: The Black Keys

The Black Keys

El Camino Tour

Adelaide Entertainment Center

Tuesday, October 30

Since 'Lonely Boy' went viral across the globe, The Black Keys have become this year's face of Rock and Roll.

It was refreshing to see the Adelaide Entertainment Centre stripped down for such a popular music act; it was nothing but the crowd and Dan and Patrick - more commonly known of course as The Black Keys.  Much similar to Mumford and Sons, the set was simple lighting; an indication of where music is at the moment and how you can tell the difference between a concert and performance. 

The Black Keys - AEC (source: AdelaideNow)

Opening their set with the track that all fans of the hit HBO series "Tru Blood" would love, "Howlin' for you," The Black Keys set the tone  early on.  Dirty, grungy, sexy rock had Adelaide howling for The Black Keys.  After playing a few songs with accompaniments, Dan and Patrick took to the stage -  just the two of them, -  taking the audience back in time, playing a number of old songs, before bringing back the band to play out their most recent hits 'Lonely Boy' and 'Gold on the Ceiling.'

The level of energy in the room was inescapable and whilst The Black Keys had a "lets-get-on-with-it" attitude to the concert, it wasn't insulting by any means; the crowd couldn't agree more - they were there to hear the music!  Although admittedly at times the instrumentals seemed to be arguing over tempo, this was always quickly adjusted, and the music was so good no one really gave a shit anyway.   It's safe to say any errors that were made that may have not gone unnoticed, where immediately forgotten when the worlds biggest discoball dropped for the boys' encore.  (Just search #discoball and #theblackkeys on instragram to see.)

There's something raw about The Black Keys music and seeing them perform live on stage amplified how exactly how cool they are.  The Black Keys may have cracked the mainstream music market but they are by no means a mainstream band, making it clear they are sticking by their roots and that they understand their what their fans love.

To find out more about The Black Keys you can look them up on facebook, twitter or visit their website for gig dates - www.theblackkeys.com

The end.