Pop Fix: AlunaGeorge

AlunaGeorge

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"Little grey fairy tales
And little white lies
Everything you exhale is attracting flies

And you can go off the rails
And you can cry your eyes out
But everything you exhale is attracting flies"

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Uber cool English electronic duo AlunaGeorge, comprised of vocalist Aluna Francis and producer George Reid, casually entered the UK charts and airwaves last year and are now becoming regulars on stations across Australia.  Cheeky lyrics and a unique 90s RnB inspired sound has AlunaGeorge grabbing attention of lovers of pop, soul, house and rnb genres alike.

Collaborating with UK House DJs Disclosure for the smash hit "White Noise," saw AlunaGeorge make their mark on the musical map, and with their follow up single "You Know You Like It," the duo are working to truly cement their unique and funky sound.

Their debut album "Body Music" was released here in Australia July 26th, 2013 and has been lapped up by Aussie fans, currently holding a 4.5 star rating on itunes.  Reviews are so far positive and full of high praise for the duo, however many critics interested to see how AlunaGeorge will be received in the long term and if their music and sound will resonate with listeners over time.

"The entire album is sexy and strange and sugary all at once. That these songs were recorded over the course of a couple years (straddling a major-label deal) and still maintain total fluidity throughout speaks to the strength and maturity of the duo’s initial formula." - Pitchfork, 2013

AlunaGeorge will be coming to Australia very soon, along with collaborator Disclosure, for Listen Out Festival which will be taking place across the country throughout late September and early October.  When asked what fans can expect at a live show AlunaGeorge responded, "A louder, slightly more acoustic version of our songs. We try and keep as close as possible to the original recordings. We’ve got a live bass player, a live hybrid kit, live keys. It has some softer moments here and there."  But with Disclosure also on tour, who know - perhaps a joint onstage performance can be expected?

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Read the full interview with AlunaGeorge in anticipation of their Australian tour at the AUReview.com.  Find AlunaGeorge on Facebook and Twitter. 

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UK Music Fix: Bastille

For those left wondering whatever happened to good, original pop music - i give you Bastille.  With an indie - rock vibe, Bastille's catchy and heartwarming songs have allowed them to break into the commercial market both within the UK and internationally 

The English band Bastille seem to have appeared out of no where, suddenly filling airways of multiple commercial radio stations and even having a remix featured on Adelaide's Dance Music Station Fresh 92.7 FM. After hearing and enjoying their track "Pompeii" i felt compelled to download this track, as well as see what other tracks may be available by the band.  Upon doing this i was able to read numerous reviews of their breakthrough single. One fan expressed that the song was so beautiful that it had brought her (or him) to tears.  Listening to more music by the band Bastille,  I would personally still describe their music as pop, but by no means should this leave a bitter taste in the mouth.  It's refreshing, it's unique and it is hands down good music. 

Bastille was initially a solo concept created by the crazy haired Dan Smith, who later turned Bastille into a band, joined by Chris 'Woody' Wood, Kyle Simmons and Will Farquarson.  Since working hard throughout 2011 and 2012, February 2013 saw the track "Pompeii" shoot up the UK charts to no 2., reaching no. 1 in Scotland. 

I am willing to argue that Bastille's popularity is attributed to more than just their catchy melodies, after all, if catchy melodies all that defined good music, some might say that Pitbull and Christina Aguilera sampling Aha's Take On Me was actually a good thing. (they would be wrong.)  With Bastille, there is meaning behind the lyrics, and a passion behind the vocals that can often be forgotten or overlooked.  It would be intriguing to see how Bastille's emotive performance on record translate in a live environment.   The harmonies and rhythms created by Bastille are reminiscent of Mumford and Sons and comparisons with The Fray and The Script could be made - it will certainly be interesting to see how Bastille's music and image develops with future records.

With Pompeii as a reference, other songs on the album are certainly fruit of the same tree.  Bastille have their sound defined and have managed to display creativity and variety within that scope. 

The band's next release will be "Laura Palmer" - a very similar track to "Pompeii".  Listening to the entire album is encouraged to get a more holistic Bastille experience.

Key tracks on Bastille's "Bad Blood" Album?  As well as their smash hit "Pompeii", check out "Flaws" and "Things We Lost in the Fire." 

Find Bastille on Facebook / Follow Bastille on Twitter

Artist Profile: HAIM

Haim; a new kind of girl group.

Out of Los Angeles, California comes a new kind of girl group: HAIM.  Their sound has been described as "Nu-folk-meets-90s-RnB" and their songs have the attention of hipsters everywhere. 

When you first hear all girl group HAIM you may think you're hearing something old for the first time. That's at least how I felt the first time I heard their track "Forever."  With funky guitar riffs and melodies I was convinced this was a song from the late 80s/ early 90s or at least belonged on the Pretty Woman soundtrack.  Some would say Haim's sound is reminiscent of Fleetwood Mac.  Although the music sounds from another era the songs themselves are fresh and exciting.

Vocal harmonies are frequent in Haim music - raw sounds seem to be their forte, and they have this  mastered; and you may expect as much after 6 years of being together prior to releasing music in 2012.   The girls in Haim however have known each other much longer than that.  The band consists of sisters Danielle, Alana and Este Haim, as well as Dash Hutton, the group's drummer.

It's obvious the girls are a little bit cheeky, like to have a bit of fun and are wildly passionate for music.  Touring with Julian Casablancas (of The Strokes), Danielle has had extensive experience in the industry, also having played with Cee-Lo Green.  As a group, their quirky style has had them supporting everyone from the likes of Edward Sharpe and the Magnetic Zeros right through to pop sensation Ke$ha.

The contemporary pop beats created by Haim are addictive, and now managed by Jay-Z's label ROC NATION there's no doubt it is only a matter of time before Haim break the mainstream market.  In fact earlier this year BBC announced that Haim was number one of the music industry poll to find 'the most promising new musical act for the coming year'.

On April 1, Haim's latest EP will be released on itunes - the feature track, sharing the title of the EP, "Forever" is already available and currently playing on Australian airwaves.

Find HAIM on Facebook or Twitter

www.facebook.com/haimtheband

www.twitter.com/haimtheband

Soundtrack Review: DJANGO UNCHAINED

Is it too soon to predict what the greatest film of 2013 is?  Those who are answer yes may just not have seen  Quentin Tarantino's latest masterpiece, Django Unchained.

Leonardo Dicaprio is both charming and
terrifying as Calvin Candie

The film is, in a classic Tarantino style, is a mashup of a genres and the soundtrack is no different.  From heart wrenching spanish ballads, to deep hip hop,  to one bad ass James Brown track featuring 2Pac, the music hits the nail on the head in every scene drawing the viewer into Django's story, his past and his revenge.

With western themes appropriately featured throughout the soundtrack, the collaboration of genres and languages means that the music is always keeping you on your toes, wanting to know what's going to be next, or rather who?

"Freedom" by Anthony Hamilton and Elaya Boynton encapsulates Django's position at the beginning of the film.  Constant repetition lyrically paired with rhythmic percussion that reflects the sound of stomping, - heavy chained steps - matched with deep male backing vocals which could almost be mistaken for groans, takes you back to the 1850's and the struggle that so many slaves  faced every day.

A particularly interesting and entertaining attribute of the DJANGO UNCHAINED soundtrack album are the dialogue clips featured between the emotive songs, telling the story as it would be told if you were watching the movie, adding emphasis and purpose to these already powerful tracks. 

John Legend features on the album performing "Who did that to you?"  A deep track driven by an organ in a slight twist from Legend's traditional instrument of choice.  Django's story is tale of revenge and this song in particular see's two different sides of this tale.  Anyone who has seen the Django Unchained trailer (below) will know that there is a somewhat romantic element to the story - without giving too much away, Django is searching for his wife.  In Legend's track we are lead to wonder whether this song is directed towards Django's love or Django himself.

The standout track (and there's always one) is the James Brown and 2Pac mash up "Unchained (The Payback/Untouchable)".  When this track comes on in the film,  Jamie Foxx has never looked so good.  Sampling, what will be in years to come, a stand out one liner from all of Tarantino's films, "i like the way you die, boy," these horns and quick spit lyrics will have you feeling your own satisfaction's from Django's revenge.  It's so dirty.  Dirty satisfaction.

Unsurprisingly, the composer behind the Django Unchained theme has worked with Tarantino before on both Kill Bill films.  Teaming up with Robb Boyd, behind the soundtrack listing of action films such as the X men and Fast and Furious series joined by Mary Ramos - who had also worked on previous Taratino films including Pulp Fiction and Inglorious Basterds - it's no surprise that this soundtrack has come out as fantastic as it has. 

If you are yet to see this movie I strongly encourage you get along asap,  and after you walk out, reflect on how the music contributed to the story, and think about the last time music has done that in a movie for you. 

Django Unchained is currently screening throughout Australia. 

Django Unchained Soundtrack - Track Listing

1. Winged
2. Django (main Theme) – Luis Bacalov, Rocky Roberts
3. The Braying Mule – Ennio Morricone
4. In That Case, Django, After You…
5. Lo Chiamavano King (his Name Is King) – Luis Bacalov, Edda Dell’orso
6. Freedom – Anthony Hamilton & Elayna Boynton
7. Five-thousand-dollar Nigga’s And Gummy Mouth Bitches
8. La Corsa (2nd Version) – Luis Bacalov
9. Sneaky Schultz And The Demise Of Sharp
10. I Got A Name – Jim Croce
11. I Giorni Dell’ira – Riz Ortolani
12. 100 Black Coffins – Rick Ross
13. Nicaragua – Jerry Goldsmith Featuring Pat Metheny
14. Hildi’s Hot Box
15. Sister Sara’s Theme – Ennio Morricone
16. Ancora Qui – Ennio Morricone And Elisa
17. Unchained (the Payback/untouchable) – James Brown And 2pac
18. Who Did That To You? – John Legend
19. Too Old To Die Young – Brother Dege
20. Stephen The Poker Player
21. Un Monumento – Ennio Morricone
22. Six Shots Two Guns
23. Trinity (titoli) – Annibale E I Cantori Modern

Big Day Out 2013 - Back, Bigger and Better

Last year it was easy to rip into what some may call Australia's "first music festival", the Big Day Out.  From headlining acts pulling out weeks before scheduled concerts and stages being replaced by skate ramps, for many it appeared to be the beginning of the end of this much loved celebration of music. 

Vampire Weekend were one of the first
confirmed acts of 2013's lined up

But prayers were answered, complaining blogs were read and Ken West, one of the key organisers of the BDO promised that in 2013 the original music festival would be back to its former glory.  Early leaked line ups had social media commentators skeptical at first but it wasn't long until acts including major names The Killers, Yeah Yeah Yeahs, Vampire Weekend and The Red Hot Chili Peppers were confirmed as headliners for 2013s tour. 

Whilst Sydney experience it's hottest day ever on record for the Big Day Out at a whopping 46.5 degree peak, this reviewer hit the Adelaide Show Grounds for the first time in a few years, to see if the Adelaide BDO could compare to the big guns along the east coast.

The Friday before the Australia Day long weekend certainly set the tone for the festival with festival goers either partying hard or taking the opportunity to relax and soak up the sun and some tunes.  With the main stages offering well known acts throughout the day, many found a nice patch of grass early and settled in for the afternoon. 

Grinspoon were one of the first acts on the orange stage and with patriotism and nostalgia in full flight, Phil and the guys had the crowds moving in no time to their rock and rolls melodies - as with many bands, showcasing some of their new work - as well as having crowds belt out the classics together, flawlessly playing "chemical heart" and "no reason" amongst many.  As regulars of the Big Day Out it must be handed to Grinspoon - the energy was high and despite being one of the earlier acts in the day, this translated to the crowd.  Once Grinspoon were done festival goers wanted more.

Of course, the fantastic thing about music festivals like the Big Day Out is the number of stages showcasing both local and international talents.  One can simply stroll up to a stage and immediately be educated in indie rock, dubstep or dance, hip hop, reggae or blues.  But whilst the genres vary, the musicianship always remain quality.  Friends of the RTM Full Tote Odds featured on the Red Stage, whilst international Comedian/Up-and-coming Hip Hop act Childish Gambino took his flavour to the Converse Essential Stage, playing with a live band featuring one bad ass violinist.  Not bad at all Childish, not bad at all. 

Karen O of the Yeah Yeah Yeahs
 took no prisoners

Band of Horses were the smooth cats of the day on the main stages, entertaining the substantially smaller crowd that hung around for their set.  Regardless to this they were not disheartened interacting with the audience and taking the opportunity to showcase their talents across their broad range of bluesy instruments.  The crowds we however present for Vampire Weekend and they certainly got the crowd moving.  It seemed even those who weren't familiar with Vampire Weekend (yes - there were some who had emerged from their rocks) couldn't resist the urge to run around in circles during songs like A-Punk and their breakthrough hit Cousins.

Mainstage antics continued with the Yeah Yeah Yeahs bringing down the house - Karen O's insane voice proving that their is room or real rock chicks in this day and age.  The dirty gritty deep pitch Karen creates works perfectly with the instruments in the band contributing to the overall finesse of the band.  Only days after their new album cover art caused a stir online, the band showed no signs of moving backward and reminded everyone why they were headliners for the 2013 Big Day Out.

Crowds gathered together for The Killers, who were set to perform immediately before The Red Hot Chili Peppers.  While the girls were swooning over Brandon Flowers and his pearly whites, The Killers showcased every song they were known for and did so effortlessly.  With fireworks and confetti guns, festival performances don't get much more spectacular than this.  As someone who remembers when The Killers first emerged, there was something quite satisfying about seeing them perform as band that had truly mastered their craft.  

Finally, the Red Hot Chili Peppers hit the stage and if The Killers had mastered their craft, the RHCP had created a whole new level for their own.  Seeing the Chili Peppers was a personal treat; Chad Smith has been an idol of mine from a very young age, which was emphasized by how old all the members of the band looked.  Looks aside the RHCPs smashed our their set, with riffs, grooves and solos in between to demonstrate what years of playing music can lead, inspire and allow you to create.  The sing alongs were a plenty - anyone who has heard Triple J's live recording of Under the Bridge will know that almost all Australians know (almost) all the lyrics to this and almost all other Chili Pepper songs.

The Big Day Out was exactly that, and I forgive you, event organizers for last years almost disaster.  The festival seemed to have been reminded of its roots and what real musicianship and talent is.  However whether this is a one off or a promise that will be maintained is only something time can tell.  In the meantime we have a whole year of festivals coming our way so stay tuned for all you're festival updates right here on Ran Type Music.

Kanye West presents GOOD Music: Cruel Summer

Good Music Cruel Summer

R. Kelly, Big Sean, John Legend, Kid Cudi and, of course, BFF Jay-Z are just some of the big wigs that emerge, with this album, from the dirty depths of old-school rap with a stank like it’s fresh from the ghetto. 

You’re immediately hooked when Big Sean starts throwing creamy rhymes your way in Clique – a clique you definitely want to be a part of: Ye, Rih, B and LeBron are mentioned by Jay-Z. And Kanye? Well he goes on with lyrics to inspire jealousy about the outrageous success of Niggas in Paris, his Maybach and being neighbours with TC. A bit OTT but classic Kanye nonetheless.

Mercy spits thick, nose-wrinkling beats at you with fiery force. They glare at you sideways. It’s undoubtedly the best song on the album. It is truly filthy. Big Sean, Pusha T, 2 Chainz and Kanye himself fill the beats with the dirtiness they deserve. Wind the windows down and sink low in your seat, one hand on the wheel. Sure enough, you’ll start believing you’re the baddest kid in town.

Kid Cudi and Kanye West

Take it down a notch and get yourself some romancing tips, hustler style, from Bliss. John Legend and Teyana Taylor tell the typical love story of girl meets boy, boy takes girl to London in his private jet while showering her in gifts from Tiffany. Okay, not so typical. But this song is as smooth as silk and John Legend’s voice is unbelievably cool. The track is complementary yet stands alone within the album, which manages to maintain its street cred even without one mention of the ‘n’ word.

This entire album is seriously cool. It takes it back to the streets, with subtleties of rap beginnings. It’s stripped to basics, the songs riddled with clever rhymes and a brilliant beat, all performed by some insanely successful artists – hand-picked by Ye, it’s his custom-made album. Best played loud.

By Natalie Brunoli

Follow Nat on Twitter

Check out Natalie's Blog

The Backwater Blues and Roots Festival

The Backwater Blues Festival

19th-28th October

Adelaide and Regional South Australia

From the 19-28th of October across Adelaide and Regional South Australia, music lovers from all walks of life were brought together by the Backwater Blues and Roots Festival 2012. Featuring an array of artists sure to get you knee slappin and toe tapping, the remarkable line up on display this year was shared across the state with acts performing in Mount Gambier, Willunga, Lobethal, Whyalla and McLaren Vale.

On Friday the 26th of October the Old Queens Theatre, in Adelaide was brought back to life with performances from Tara Carragher and Genevieve Chadwick, as well as headliner for the night Mia Dyson. The venue was perfect; decor and lighting breathing energy into the somewhat restored old theatre warehouse, which you just know had seen so many performances and great times before then. Makeshift pop up bars and an eclectic collection of furniture with a silent video of The Rolling Stones projected onto the wall brought together the cool crowd, who were all there for one reason; to listen to good music.

The supporting acts of the night were raw and fantastic. Tara's voice was gorgeous and strong and Genevive rocked out on a guitar held together with gaffa tape and a single bass drum, starting a dance floor that would be grooving all night. Mia Dyson did not disappoint; her voice and the acoustics of her band's harmonies were brought out beautifully by this unique venue's layout.

And that is what is so great about the Backwater Blues and Roots Festival. South Australia is a hub for great music and music lovers alike and it is ideas and events like this that give us an opportunity to share, love and enjoy.

To describe the Backwater Blues and Roots Festival in more detail I've lifted this description from the event's facebook page:

"All great ideas come from a couple of beers, but only the crazy folks remember it the next morning. In 2007 we imagined something reminiscent of the makeshift bars of 1930s Mississippi where weary workers would unwind with a whiskey or a cold beer and dance to the rhythms of travelling blues men and women.

The Mojo Webb band were one of the
acts at this years Backwater Bluesfest

In 2008, Adelaide’s Juke Joint was born. The inaugural event attracted a like-minded audience of music lovers frustrated with the lack of blues & roots events in South Australia. Following such an overwhelming response, the event continued and evolved to become a 10-day celebration of blues & roots music throughout the state. Now in its fifth year, we are taking the blues to Mt Gambier, Whyalla, Lobethal, Willunga and McLaren Vale while also creating a pop-up Juke Joint in the centre of Adelaide at the Queens Theatre.

In true Adelaide fashion, the festival has been nurtured and developed for and by the public. The enduring appeal of the blues lies in its healing properties; the grinding rhythms and purging tales of trouble and strife with which anyone can empathise. It’s organic and real and spiritually uplifting for musician and listener alike. It’s the original dance music. And so, in an era of drive-thru lifestyles, social networking and manufactured musical confectionery, we bring you the elixir: the 2012 Backwater Blues & Roots Festival.

Hand-crafted by: Andrew Dundon & Rob Eyers with Meral Nieman, Tanya Schroeder, Emily Rice, Jacob Habner and the SA Blues and Roots community.

2012 Festival Line-up includes:

Interstate Artists

The Backsliders

Mia Dyson

Jeff Lang

Dallas Frasca

Collard Greens and Gravy

Genevieve Chadwick

Pugsley Buzzard

Brendan Gallagher

South Australian Artists

Mick Kidd

Nick Kipridis

Sweet Baby James & Rob Eyers

Dr Piffle & The Burlap Band

Louise & The Tornados

Jordan Ruru

Don Morrison

Cream Tribute Show

The Red Hot Blues Band

Rhumboogie featuring Chris Finnen

Tara Caragher

Bottleneck Slide Show

Harmonica Intensive with Snooks La Vie and Dave Blight

The Bakers Digest

Cal Williams Jnr

AP D'Antonio

Brenton Manser Duo"

"Mia has been on our dream list for the festival since its inception, so when we found out she was returning to Australia to launch her new album The Moment we jumped at the chance to create a soulful night celebrating the women of blues. Mia will be joined by the smoky, vivacious vocals of Genevieve Chadwick and Adelaide’s own rising star of the blues, Tara Carragher."

To learn more about the Backwater Blues Festival and keep in touch for next year, check them our on facebook, twitter or their website www.backwaterbluesfest.com

Gig Review: Mumford and Sons

Mumford and Sons

Mumford and Sons at the Adelaide Entertainment Centre

Monday October 15th

Adelaide Entertainment Centre, Adelaide

Mondays don't get much better than this.  Willy Mason, Edward Sharpe and Mumford and Sons; all playing individually as well as together.  The Adelaide Entertainment Center has significantly improved in looks and atmosphere since recent renovations.   The concert featuring these talented musicians took place in the newest staging addition to the venue, the Adelaide Entertainment Center theatre - a room off set from the original venue, providing an intimate vibe felt by viewers and performers alike.

The support acts were welcomed by audience with generous applause and cheering non-stop throughout the evening.   Edward Sharpe and the Magnetic Zeros were nothing short of incredible.  With two drum kits, a brass trio, a fiddle and every other instrument under the sun - the band were fun, entertaining and just a cool bunch of kids.  Their rendition of "Home" was stretched out and pleased the groupies who had been waiting all set for the hit.  At one stage during this support act,  Marcus Mumford took to the stage to perform Edward Sharpe and his ensemble, giving the crowd a sneak preview of what was to come. 

The boys wooed the crowd, performing one song with
no technology at all.

When Mumford and Sons took to the stage their set came alive.  It is amazing what four talented young men from the UK can bring to a live performance and it's safe to say there was no room left for disappointment.

Playing tracks from their breakout album "Sigh No More (2010)" it was "Little Lion Man" that saw the room burst into light leaving the audience in awe in a truly magical moment.  The music, the lyrics and the crowd contributed to making that moment one that trumps other memories from the night.


The acoustics of the venue also allowed the handsome foursome to perform acoustically; beautiful vocal harmonies silencing the crowd.

The lighting completed the magical set

Also showcasing songs from their recent album "Babel (2012)," Marcus, Ben, 'Country' and Ted displayed exactly how talented and diverse they each are performing songs that had a bit more edge and a fuller sound.  It wasn't too long ago that a drum kit was foreign to the band, but oh how this has changed with the set ending in a jam reminiscent of The Beautiful Girls' live sets; a bunch of dudes just rocking out. 

The connection between Mumford and Sons and the Adelaide audience was truly something special and the reception and how humbling it was for the band.  This concert will stick with me for a long time.

Follow Mumford and Sons on twitter, or find them on Facebook.

Check out up coming gigs at the Adelaide Entertainment Center here.

Alt-J (∆): An Awesome Wave.

Dreamy melodies, buzzing harmonies and heavy guitar riffs. Poetic lyrics and piano chords, ambient noise and that feeling in your chest from the bass, when you play it nice and loud.

Alt J's debut album "An Awesome Wave"
is on sale now.

Oh, and that voice.

Alt-J gives it to you hard. Their debut album, An Awesome Wave, is undeniably addictive – it’s the noticeable cool and frenetic, yet relaxed, energy of the album that does it to you.

The first release, Breezeblocks, lyrically punches you in the heart. It grabs at you and demands you feel it too. And you do. There’s no wonder they chose this as the virgin release. It’s a mix of everything this album is about.

Alt J (∆)'s debut single - Breezeblocks

Something Good takes you on a little wander through highs and lows. Twinkling notes leading you from verse to bridge to chorus and back again. It’s happily mellow. The interludes (there are three) help weave the story of an album laden with clever, tight, expressiveness – with or without words. Song after song, a stimulating, vivid picture is painted of whatever you need it to.

Fitzpleasure is a little heavier, a little more rock, and a little bit sexy. It’s littered with dirty crooning harmonies, building to an unmistakable climax of rhythm and motion. It drags you in. Before you know it, you’re pulling right into the perfect barrel of an awesome wave.

Paddle your heart out and get on it.






Follow Nat Brunoli on Twitter

Alt J (∆) are

Gwil - guitar/vocals 

Joe Newman - guitar/vocals

Gus Unger-Hamilton - keyboards 

Thom Green - drums

http://www.altjband.com

Drift away with Traveller and Fortune

As we head into Spring and leave August behind,  the high of the Adelaide International Guitar Festival is still lingering in the air.

For those looking for that next hit of indie folk music and strummin' banjos, let me introduce you to Traveller and Fortune.

There's something both refreshing and familiar about Adelaide indie-folk group Traveller and Fortune. Their songs are beautifully constructed melodies and harmonies, with lyrics equally as thought out and just as touching. Each song by the band will take you away to a different place, and it's certainly somewhere you don't want to leave in a hurry.

With a growing fan base in their home town of Adelaide (South Australia), Traveller and Fortune are about to take their music over the borders to launch their new single "Little Plastic People."  With a fair bit lined up for the coming weeks, including performing at the BIGSOUND conference in Brisbane later this month,  Tom West from the band took some time out of packing his bags and harmonica to chat to Ran Type Music about the music, the single and the upcoming gigs...


RTM: In your own words, how would you best describe the music of Traveller and Fortune?

T&F: We like to have songs that sound a bit like stories, with ups and down. They're generally bittersweet and we like to use a lot of different instrumentation to create moody soundscapes. We like to showcase the song's lyrics that we hope are always interesting and tell a unique or unexpected story!

RTM: What are you looking forward to most with your upcoming tour?

T&F: We're most looking forward to playing some really fun shows in front of new crowds. We're also really excited for the BIGSOUND conference where we are playing two showcases and meeting up with some really cool industry people.

RTM: "Little plastic people" is your new single - what's special about this track to Traveller and Fortune?

T&F: Yep, its our new single but its actually quite an old song. It featured on our EP from a few years ago, but we've decided to re-jig it with the new band dynamic,  its a bit more hillybilly this time around. We still love the song cos its fun to play but we also like the 'idea' of the song.

RTM: What can people expect at one of your shows?

T&F: A diverse set, highs and lows and lots of harmonies.

Traveller and Fortune are touring as of September 8th; to find out more about when you can catch them check out their Facebook Page.   You can also listen to their music online on Soundcloud
and Triple J Unearthed.  I'll be at their gig on the 15th at Jive in Adelaide - See you there!

Traveller and Fortune are:

Ally - Vocals, Ukulele, Sax, xylo

Tom - Vocals, Guitar, Harmonica, Mandolin

Emily - Vocals, bass, Keys

Ryan - Vocals, keys, drums

Todd - Bass, Banjo, Lapslide, Vocals

A huge thank you to Traveller and Fortune for their time,

Ran.

Pop Fix: What is it about a comeback?

The 2012 London Olympics Closing Ceremony was an opportunity for England to reflect on some the greatest musicians that the nation had produced, and there was one act that had the whole world talking.

Britney Spears has come a long way
from shaving her own head and
attacking people with
umbrellas.

Scary, Baby, Ginger, Posh, Sporty yes now that's your lot - the Spice girls were back and ready to go!  It has been a while since the Spice girls last performed together - 4 years to be exact.  The group had famously announced a world tour in 2008, however more infamously had cancelled their last 6 shows - disappointing thousands of fans everywhere including here in Australia.  But the fivesome's performance at the London 2012 Closing Ceremony had even this music blogger saying words not uttered for over a decade -"... I wanna be a Spice Girl!"

But 2012 and 2011 has seen the come back of many artists that I had crossed off my list - namely pop acts from the late 90s, early 00s, but comebacks none the less.  Enrique Iglesias was back on the scene - although the same could not be said for his mole, Christina Aguilera returned back to basics once again in Burlesque after her album "Bionic" bombed and even Cold Chisel got back together to tour Australia. Good on 'em!

But it was the other night whilst having 60 Minutes tell me that Jennifer-JLO-Jennyfromtheblock-Lopez was the most powerful celebrity in the world, I stopped to think exactly how much the pop scene had changed, or rather stayed the same,  since I was growing up in the 00s.  What is is about Eminem, Britney, NKTBSB and even Avril that have us saying, "oh hey old friend!"

is this the most powerful celebrity
in the world? Forbes says yes.

My theory? They're characters.  As ironic as it seems, these pop acts that have been around for so long seem refreshing and unique in comparison the blur of pop artists today -  the kings and queens have established themselves and their characters in the industry and anyone who tries to take their torches will struggle to light a fire that burns equally as bright.

One could argue that these artists have been around because of the music they produce and the talent they have, but let's not get too ahead of ourselves - the pop music industry is an entertainment industry, and as long as these pop icons continue to do so (that is, entertain,) they can only improve their performance, both on and off the stage.

You can catch the most powerful celebrity in the world on her "Dance Again" world tour throughout December 2012.

Tickets on sale through Ticketek.com

Upcoming Gigs - Keep your eyes and ears peeled!

There is no shortage of live gigs around Australia, and even the smaller towns are having some fantastic names knocking on their doors.

Here are a few gigs that have caught the eyes of Ran Type Music!  Remember to check out your local gig guide for something different to do on your weekend - or even for a bit of mid week mischief!

Click on the links to purchase tickets.

Nina Las Vegas and friends - Triple J House Party

The Beautiful Girls - 10 Year Anniversary Tour 

Dappled Cities - Lake Air Tour

[Check out Dappled Cities Like a Version Here]

Oh Mercy - Deep Heat Tour

Last Dinosaurs - Satellites Tour

"Last Dinosaurs provided an exciting set..with the Bloc Party tick of approval it seems these guys are only set for bigger stages in 2012," Fastlouder, Spin Off Festival

And don't forget to to catch good friends of the blog Hey Geronimo  on their "Special Best Tour"!

QandA with...Loon Lake

Three brothers and two mates make up the garage-pop band from Melbourne Loon Lake.  

Loon Lake - 3 bros and 2 mates

Since forming in 2010, "Loon Lake," - comprising of Simon, Nick, Sam, Dan and Tim, -  has become a well known name within the Australian music scene, with hits such as "Bad to Me" featuring regularly on national radio station, Triple J.   The group have also been prolific performers, performing at Big Day Out, Groovin' the Moo as well as touring with UK band, Kaiser Chiefs.

One day before they perform their sold out show in Adelaide, Simon from the band took some time out to answer a few quick questions about the music industry, the journey so far and what we can expect from their new EP "Thirty Three".

RTM: The band Loon Lake formed in 2010 and since then you have conquered everything from festivals such as Pyramid Rock and Big Day out right through to touring with artists such as Bluejuice and Kaiser Chiefs.  What have you learnt from performing alongside such seasoned performers?

LL: I think having the opportunity to play alongside those guys who have obviously been doing it for so long, shows how far you can take it and how much you can improve. One thing that I noticed with touring with the Kaiser Chiefs was the level of professionalism, every night and through every detail. They seemed to have a great amount of respect for their fans, every show they did was to their full capacity to what I could see. I think what you have to remember when being a live band, no matter where you play is that every time you can win one new fan over. And that's important, no matter what the gig is you should play like its your last, because punters can detect when you are not enjoying it or giving it your all. High profile bands are seasoned at that - they have played shitty gigs too, but they get to the position they are by persistence dedication and handwork.

RTM: You are currently headlining your own tour, promoting the new Loon Lake EP "Thirty Three" - what can people expect at a Loon Lake gig?


LL: Every time this question gets asked I find it really hard to answer, as I guess I have never seen a Loon Lake gig. In comparison to our previous headline shows we have definitely stepped the production side of things up. We have spent more time and effort on presenting more of a 'show' to the punters. Within our limits though I guess - we don't have a revolving drum cage hovering above stage. Yet. Musically, we have definitely got some more treats in store, obviously with a new EP comes new songs to play, which is exciting for us. We are yet to play our song 'Cherry Lips' live yet, which will be fun for us to see how it goes down. I feel we are playing a lot tighter at the moment too.

The boys will be performing in Adelaide tomorrow night,
as part of their "Thirty Three" tour.

RTM: How would you describe Loon Lake's music to someone who had never heard it before?

LL: I would probably describe it is 'garage pop' music, that has a penchant for melodies and hooks. Not sure though, I think its best to listen to us and make up your own mind. People might hear it completely different to what I do. That's the good thing about music, it subjective. Some might like it, some might hate it.

RTM: Talk us through the name of the EP - Why "Thirty Three"?

LL: Ok, firstly that is the name of one of the tracks on the EP. In particular that song is about someone who has got to that age and sort of realised 'what am I doing in life? Do I need to change/settle down kind of thing?' Then after we recorded the EP, we realised there was kind of an underlying theme throughout the songs, basically it is about change, and getting to a particular point in your life and working out what you want and need. It was something we all agreed on and we felt that was an apt title.

RTM: Three brothers in the band...how is it traveling and performing together?

LL: It's all fine. We are good friends and we hang out a lot so there are no real dramas, and if there is they usually dismissed very quickly. There are obviously moments where you get under each others skin, but I think this is common within any close relationship. I guess you can't really hold a grudge for too long, as at some point in time you have to go home and hang out with the rest of your family. They don't want to hear your petty band problems.

  


RTM: I love the Pic of Last Dinosaurs singer Sean wearing a Loon Lake t-shirt!  Do you feel a sense of community in the Australian music industry - particularly amongst up and coming musicians?

LL: Yeah that was great hey. We played with them a couple of times and they are top lads, he really liked the shirt so we gave him one.  It was cool to see that he was wearing it in a press shot. They are a top band too, I really like some of the licks their guitarist uses. I do think there is definitely a sense of community amongst the young bands, everyone is appreciative of everyone and definitely trying to help each other out. At the same time I guess you are all doing your own thing and trying to pave your own road, but generally all the bands we come across are great to each other. You have to be as you run into each other all the time. I think the elder statesman in Oz rock are cool too. The Jebediah crew were some of the nicest dudes I've met.

RTM: After the "Thirty Three" tour, what's in store for the boys from Loon Lake?

LL:  After the tour we are really concentrating on writing more songs as we are thinking about our debut album. I mean the writing has already begun, but I think we really need to make a concentrated effort to work hard on making a very good and cohesive debut album. I feel the debut album is one of the defining moments of a bands career, it's definitely important to do the very best you can with that.

In terms of live shows, we have a couple of things like Bigsound and Queenscliff, we are obviously hoping for more summer festivals and supports and stuff. But generally that is where we will be for the next year, we may go a bit quiet as we concentrate on the album.

To find out more about where you can catch Loon Lake on their "Thirty Three" tour, head to their website.

You can also connect with the band on Facebook and Twitter.

Loon Lake are

Sam; Vox, Guitar, Keys

Sime; Guitar

Dan; Guitar

Timmy; Bass

Nick; Drums

Ran with Simon from Loon Lake

Splendour Diaries: Day 2

Day 2: July 28th, 2012

As the weekend continued, day 2 was nothing short of incredible, taking Splendour in the Grass 2012 to the next level.

I would just like to take some time out though to say if you ever do come to Byron Bay, don't eat at Bo's. The kitchen, service and restaurant manager are inefficient and cold.  The only thing that was enjoyable was my banana smoothie, and even that took 20 minutes (and is supposed to be cold anyway).  Don't do it kids!

Coconut in hand we strolled back into the festival venue shortly after 2:00, just in time to catch Luke Million drop his smash hit "Arnie" at the Mix Up Stage, getting Splendourites churning up the bark chip covered mud once again.

The Last Dinosaurs were on the main stage for their set and did not disappoint.  Highlighting the set was the band's cover of "Lady (hear me tonight)", which cheekily sampled Groovejets "if this ain't love".

Also on the main stage was english rock group Band of Skulls, who opened up their set with "Sweet Sour" setting the dirty slow rock mood for the next 50 or so minutes at the big top stage.

After chilling out at the back of Jinja Safari we wriggled our way to the front of the stage for what would be one of the best sets I have ever seen in my life, by The Beautiful Girls.  If ever anyone could make you trade in your air guitar for an air bass, it would be these guys. With the off beat strumming on guitar and funky drumming the band turned the mosh into a bop and the massive smiles on the band's faces let you know they were having just as good a time as you were.  "Periscopes" was performed beautifully with die hard fans singing along every lyric and as if it was a day for covers, the boys dropped in a bit of "Tainted Love" in "We're in Love".  The Girls finishes with an epic instrumental jam showcasing their talents and exactly how they've been around for so long.

Next up was DJ / "singer" Muscles, who although at first I doubted, turned up the beats at the mix up tents. After working up a sweat we continued to dance our way over for a bit of Tame Impala for a few mellow tracks before heading to see the princess of the festival, Lana Del Rey - along with about 7,000 other people.  Lana, performing with a single pianist on a white grand and tuxed up string quartet, glided around the stage in a wedding dress, with her mic in one hand and cigarette in the other, hopping off the stage to sing with "her people".  Despite previous reviews, Lana Del Rey sang like an angel, performing each of her tracks as heart broken as the next. Admittedly, in all her sorrow Lana's music would have been suited for earlier in the day, but it was probably a well deserved rest for most people's feet.

After Lana we meandered to Miike Snow who ended their set with one of my favourite songs, "Animal", which we continued to sing until Bloc Part took the stage.

There are few things more enjoyable in life then being surrounded with a group of great mates while rocking it out to one of the best rock bands around that you all know and love. As the covers continued, Kele did a sneaky sneaky at one point by singing the smash hit by Rihanna and Calvin Harris "we found love" before launching into one of their own.  Banquet was incredible, and by no means the song the band chose to finish on. 

Day 2 was amazing and I both can and cannot see today being able to top it.  Today, The Kooks, Gossip, Gossling, Ball Park Music, Fun. and festival headliner The Smashing Pumpkins...

This weekend's going too fast!

Ran xo