Festival Review: St Jerome's Laneway Festival

On February 8th, 2013, Adelaide Laneways were graced with the likes of The Rubens, Flume, The Japandroids, of Monsters and Men, Bat for Lashes, Chet Faker, Alpine, Alt-J  and many many more musicians, both local and international for the St Jerome's Laneway Festival. 

A smorgasbord of indie / folk/ rock acts assured that the event was a sell-out with many punters arriving before 5pm to enter the venue, suss out the situation and plan their attacks on how they would venture from stage to stage to see their favourite acts. (time of course would assure that this was not up to individuals but rather the incompetent security staff and systems put in place by event management.)

The Divine Fits - up close and personal

Nat and Brit - Awesome!
 Follow @natbrunoli on twitter.

But first; the music.  Whilst many were unfortunately unable to access stages to watch musicians play (we thought this is what the $120.00 was for?...) this music blogger, was more fortunately familiar with the venue and "laneways" and was one of the lucky ones.  Alpine were first on the agenda - drawing in a reasonably sized crowd it was clear from the get-go that many festival goers were those who listened to entire albums rather than the singles alone.  Dancing and singing along was madatory and the Alpine singers Phoebe Baker and Lou James were flawless - the bands live rendition of their biggest hit "Gasoline" was pure bliss to listen to. 

Next, we caught Yeasayer, Cloud Nothings, Chet Faker, The Rubens, Of Monsters and Men, Flume, Japandroids (AMAZING), A little bit of Alt-J, a little bit of Bat for Lashes and finished then night with the Divine Fits - Cudos to Miss Natalie (who often writes album reviews for RTM), who managed to sneak backstage to hang out with non-other than front man Britt Daniels.  

image: boudist.com

All artists were incredible, performing to a tee - This was the fourth time I had seen The Rubens (although at about 5'5" I use the word "seen" loosely) and the boys did it again, melting hearts or girls (and likely guys!) everywhere.

Unsure of what Flume would play and how he would perform, it quickly became evident that this young DJ has established his own sound signature as well as cult following.   His mellow beats and remixes are surprisingly refreshing in comparison to the dance music played on commercial stations, and it's for this reason it's a safe call to say that the best of Flume is yet to come.

Japandroids were my personal highlight and I think it was because this was an unplanned band to see - although in the lead up, many people had nothing but good things to say.  I was so impressed by the stage presence that the two (yes only TWO) band members gave off, and the racket of rock and roll noise they produced. 

the not so great wall of weslo.

Overall the music was fantastic and the line up did not disappoint.  The venue, security and management of the event however was poorly executed and even behaviour from SAPOL was misunderstood by the crowd, who by comparison to other music festivals were not that bad.  I witnessed one of the two arrests on the day which "required" 3 police officers and 2 security guards to aggressively pin down a young male who did not appear to be resisting in any way.  It was unclear why this arrest took place, including by fellow policemen who were clearly more flustered and panicky than general crowd members.  Further  embarrassment to the Adelaide festival is highlighted in today's Indaily, which reads:

"The locked gates meant the smaller stage inside Fowlers Live emptied out quickly and Brooklyn punk act The Men played to no more than 15 people on their first trip to Australia."

How the crowd control was conducted remains a questions for the authorities, however this was clearly a foreseeable problem considering the calibre of acts performing, in the highly condensed time table, in incredibly small locations.  An alternative to the City West Campus? Perhaps the Adelaide Show grounds.  Sure the "Laneway" concept is novel, however realistically this is people's safety we're talking about, and providing a product that is promised upon purchase of the ticket.  And the Showgrounds have plenty of "Laneway-esk" nooks and crannys more suitable for a 4000 people event.

Scathing reviews of the festival's management have flooded the internet with many vouching that next year they will be attending the festival in another state. 

The Divine Fits

I always say an event is what you choose to make it.  I enjoyed Laneway.  I had a good time with my friends listening to great music.  Money's worth? Perhaps not.  Unfortunately, I believe the Adelaide leg of this festival failed to deliver in many areas for both audience and artists, but I put this as a challenge to the event organisers and look forward to seeing how they will improve this 'boutique' festival in 2014.

Big Day Out 2013 - Back, Bigger and Better

Last year it was easy to rip into what some may call Australia's "first music festival", the Big Day Out.  From headlining acts pulling out weeks before scheduled concerts and stages being replaced by skate ramps, for many it appeared to be the beginning of the end of this much loved celebration of music. 

Vampire Weekend were one of the first
confirmed acts of 2013's lined up

But prayers were answered, complaining blogs were read and Ken West, one of the key organisers of the BDO promised that in 2013 the original music festival would be back to its former glory.  Early leaked line ups had social media commentators skeptical at first but it wasn't long until acts including major names The Killers, Yeah Yeah Yeahs, Vampire Weekend and The Red Hot Chili Peppers were confirmed as headliners for 2013s tour. 

Whilst Sydney experience it's hottest day ever on record for the Big Day Out at a whopping 46.5 degree peak, this reviewer hit the Adelaide Show Grounds for the first time in a few years, to see if the Adelaide BDO could compare to the big guns along the east coast.

The Friday before the Australia Day long weekend certainly set the tone for the festival with festival goers either partying hard or taking the opportunity to relax and soak up the sun and some tunes.  With the main stages offering well known acts throughout the day, many found a nice patch of grass early and settled in for the afternoon. 

Grinspoon were one of the first acts on the orange stage and with patriotism and nostalgia in full flight, Phil and the guys had the crowds moving in no time to their rock and rolls melodies - as with many bands, showcasing some of their new work - as well as having crowds belt out the classics together, flawlessly playing "chemical heart" and "no reason" amongst many.  As regulars of the Big Day Out it must be handed to Grinspoon - the energy was high and despite being one of the earlier acts in the day, this translated to the crowd.  Once Grinspoon were done festival goers wanted more.

Of course, the fantastic thing about music festivals like the Big Day Out is the number of stages showcasing both local and international talents.  One can simply stroll up to a stage and immediately be educated in indie rock, dubstep or dance, hip hop, reggae or blues.  But whilst the genres vary, the musicianship always remain quality.  Friends of the RTM Full Tote Odds featured on the Red Stage, whilst international Comedian/Up-and-coming Hip Hop act Childish Gambino took his flavour to the Converse Essential Stage, playing with a live band featuring one bad ass violinist.  Not bad at all Childish, not bad at all. 

Karen O of the Yeah Yeah Yeahs
 took no prisoners

Band of Horses were the smooth cats of the day on the main stages, entertaining the substantially smaller crowd that hung around for their set.  Regardless to this they were not disheartened interacting with the audience and taking the opportunity to showcase their talents across their broad range of bluesy instruments.  The crowds we however present for Vampire Weekend and they certainly got the crowd moving.  It seemed even those who weren't familiar with Vampire Weekend (yes - there were some who had emerged from their rocks) couldn't resist the urge to run around in circles during songs like A-Punk and their breakthrough hit Cousins.

Mainstage antics continued with the Yeah Yeah Yeahs bringing down the house - Karen O's insane voice proving that their is room or real rock chicks in this day and age.  The dirty gritty deep pitch Karen creates works perfectly with the instruments in the band contributing to the overall finesse of the band.  Only days after their new album cover art caused a stir online, the band showed no signs of moving backward and reminded everyone why they were headliners for the 2013 Big Day Out.

Crowds gathered together for The Killers, who were set to perform immediately before The Red Hot Chili Peppers.  While the girls were swooning over Brandon Flowers and his pearly whites, The Killers showcased every song they were known for and did so effortlessly.  With fireworks and confetti guns, festival performances don't get much more spectacular than this.  As someone who remembers when The Killers first emerged, there was something quite satisfying about seeing them perform as band that had truly mastered their craft.  

Finally, the Red Hot Chili Peppers hit the stage and if The Killers had mastered their craft, the RHCP had created a whole new level for their own.  Seeing the Chili Peppers was a personal treat; Chad Smith has been an idol of mine from a very young age, which was emphasized by how old all the members of the band looked.  Looks aside the RHCPs smashed our their set, with riffs, grooves and solos in between to demonstrate what years of playing music can lead, inspire and allow you to create.  The sing alongs were a plenty - anyone who has heard Triple J's live recording of Under the Bridge will know that almost all Australians know (almost) all the lyrics to this and almost all other Chili Pepper songs.

The Big Day Out was exactly that, and I forgive you, event organizers for last years almost disaster.  The festival seemed to have been reminded of its roots and what real musicianship and talent is.  However whether this is a one off or a promise that will be maintained is only something time can tell.  In the meantime we have a whole year of festivals coming our way so stay tuned for all you're festival updates right here on Ran Type Music.

The Backwater Blues and Roots Festival

The Backwater Blues Festival

19th-28th October

Adelaide and Regional South Australia

From the 19-28th of October across Adelaide and Regional South Australia, music lovers from all walks of life were brought together by the Backwater Blues and Roots Festival 2012. Featuring an array of artists sure to get you knee slappin and toe tapping, the remarkable line up on display this year was shared across the state with acts performing in Mount Gambier, Willunga, Lobethal, Whyalla and McLaren Vale.

On Friday the 26th of October the Old Queens Theatre, in Adelaide was brought back to life with performances from Tara Carragher and Genevieve Chadwick, as well as headliner for the night Mia Dyson. The venue was perfect; decor and lighting breathing energy into the somewhat restored old theatre warehouse, which you just know had seen so many performances and great times before then. Makeshift pop up bars and an eclectic collection of furniture with a silent video of The Rolling Stones projected onto the wall brought together the cool crowd, who were all there for one reason; to listen to good music.

The supporting acts of the night were raw and fantastic. Tara's voice was gorgeous and strong and Genevive rocked out on a guitar held together with gaffa tape and a single bass drum, starting a dance floor that would be grooving all night. Mia Dyson did not disappoint; her voice and the acoustics of her band's harmonies were brought out beautifully by this unique venue's layout.

And that is what is so great about the Backwater Blues and Roots Festival. South Australia is a hub for great music and music lovers alike and it is ideas and events like this that give us an opportunity to share, love and enjoy.

To describe the Backwater Blues and Roots Festival in more detail I've lifted this description from the event's facebook page:

"All great ideas come from a couple of beers, but only the crazy folks remember it the next morning. In 2007 we imagined something reminiscent of the makeshift bars of 1930s Mississippi where weary workers would unwind with a whiskey or a cold beer and dance to the rhythms of travelling blues men and women.

The Mojo Webb band were one of the
acts at this years Backwater Bluesfest

In 2008, Adelaide’s Juke Joint was born. The inaugural event attracted a like-minded audience of music lovers frustrated with the lack of blues & roots events in South Australia. Following such an overwhelming response, the event continued and evolved to become a 10-day celebration of blues & roots music throughout the state. Now in its fifth year, we are taking the blues to Mt Gambier, Whyalla, Lobethal, Willunga and McLaren Vale while also creating a pop-up Juke Joint in the centre of Adelaide at the Queens Theatre.

In true Adelaide fashion, the festival has been nurtured and developed for and by the public. The enduring appeal of the blues lies in its healing properties; the grinding rhythms and purging tales of trouble and strife with which anyone can empathise. It’s organic and real and spiritually uplifting for musician and listener alike. It’s the original dance music. And so, in an era of drive-thru lifestyles, social networking and manufactured musical confectionery, we bring you the elixir: the 2012 Backwater Blues & Roots Festival.

Hand-crafted by: Andrew Dundon & Rob Eyers with Meral Nieman, Tanya Schroeder, Emily Rice, Jacob Habner and the SA Blues and Roots community.

2012 Festival Line-up includes:

Interstate Artists

The Backsliders

Mia Dyson

Jeff Lang

Dallas Frasca

Collard Greens and Gravy

Genevieve Chadwick

Pugsley Buzzard

Brendan Gallagher

South Australian Artists

Mick Kidd

Nick Kipridis

Sweet Baby James & Rob Eyers

Dr Piffle & The Burlap Band

Louise & The Tornados

Jordan Ruru

Don Morrison

Cream Tribute Show

The Red Hot Blues Band

Rhumboogie featuring Chris Finnen

Tara Caragher

Bottleneck Slide Show

Harmonica Intensive with Snooks La Vie and Dave Blight

The Bakers Digest

Cal Williams Jnr

AP D'Antonio

Brenton Manser Duo"

"Mia has been on our dream list for the festival since its inception, so when we found out she was returning to Australia to launch her new album The Moment we jumped at the chance to create a soulful night celebrating the women of blues. Mia will be joined by the smoky, vivacious vocals of Genevieve Chadwick and Adelaide’s own rising star of the blues, Tara Carragher."

To learn more about the Backwater Blues Festival and keep in touch for next year, check them our on facebook, twitter or their website www.backwaterbluesfest.com

7 reasons to get excited for summer

The sun is shining, the line ups are out and I for one can not WAIT to get amongst it this summer.  "It" being the amazing showcase of musicans that will be featuring in festivals throughout our beautiful, sweaty, hot, amazing Australian summer.

The artists traveling down under for this summers' festivals are of the highest calibre, not to mention the incredible homegrown talents that have launched themselves onto the music scene in the last 12 months.  Festivals seem to be popping up left right and centre across the states and what a fantastic opportunity for everyone to see their favourite bands and artists as well as expose themselves to some more.  In case you live under a rock and are unsure of what music festivals I am referring to - Behold!

7 Reasons to get EXCITED for summer!

1. Falls Music Festival
www.fallsfestival.com.au/

Tickets have been sold and received but do not let this dishearten you! There are always genuine people having to sell their tickets for whatever reason.  A friend of a friend - you know the drill! But if someone seems dodgy on ebay - trust me they probably are! You can always try crashing as well - it's not like you'll get lost in the shrubbery or anything! (in case you can't remember; it happened - don't do it)  Angus Stone, Ball Park Music, Bombay Bicycle Club, Boy and Bear, Django Django. Jinja Safari, Lisa Mitchell, SBTRKT, The Hives and The Vaccines are a few names who will be featuring at this years wonderful New Years celebration festival.  A word to the organisers - please sort out the countdown this year.  or just someone to do it.   Falls Music Festival is set to be amazing once again with many of the bands already aurally pleasuring festival goers throughout 2012 and receiving rave reviews. 

 

2. Big Day Out
www.bigdayout.com

Returning to it's former glory, the Big Day Out has audienes excited once more after many were disappointed with the line up choices, with drawls and cut downs of last years music festival.  Boastin international acts such as Red Hot Chili Peppers, Vampire Weekend, Bloody Beetroots and The Killers this year's festival will struggle to disappoint.  Of course there will be Australian bands present with local acts featuring in each of the festivals cities.  Grinspoon, also be featuring as part the festival, will be an Aussie band to keep your eye on - the guys will be showcasing songs from their new album "Black Rabbits."

3. Soundwave
www.soundwavefestival.com.au

This Soundwave line up makes me both laugh and cry.  I loved The Offspring.  I used to listen to them on my discman when I was in Year 7.  I feel the same way about them touring as I do the Backstreet Boys with New Kids On The Block.  I was listening to them around that time too..

Metallica, Blink 182, Garbage, Paramore, The Amity Affliction, Cypress Hill and Tomahawk are a few of the other names that put together this huge Soundwave line up.  I'm sending resident reviewer Nat Brunoli out to this one on RTMs behalf (aka i couldn't afford a ticket) so keep an eye out and say hi!

Tickets are still available so if you're into loud music, head banging and gimp masks, hop to the website and get on it.

4. St. Jermone's Laneway Festival
www.lanewayfestival.com.au

With the pre-sale beginning today, Laneway Festival hits the mark when it comes it chilled our indie pop music featuring the talents of acts that have been prolific this year including Alpine, Alt-J, Bat for Lashes, Chet Faker, The Rubens and Yeasayer.  General tickets are on sale on the 5th of October - so don't miss out!

 

5. Stereosonic
www.stereosonic.com.au

Do you think Calvin Harris is the new David Guetta?  Admittedly I heard of Calvin first, but he's been doing so many collaborations lately it's only a matter of time before Flo Rida ft. Calvin Harris or vise versa hits the charts...if it happens you know you heard it first here.  That said Calvin certainly has earnt himself the spot on headliner at this years Stereosonic Music festival, Featuring alongside names such as Tiesto, Avicii, Example, Major Lazer - the name behind this years smash hit "Get Free" and also that popular beat from Pon De Floor you may also recognise in Beyonce's "Run The World".  Also gracing festival heads are Laidback Luke, Martin Solveig, Diplo, Flux Pavilion, Bingo Players (who better to drop Rattle then these guys themselves), Tommy Trash and Beni.

6. Summadayze
www.futureentertainment.com.au/summadayze

The same group that put together Parklife have put together this stella line up which I'm sure will capture summer days (har har) perfectly Fredde le Grand, Knife Party, Kimbra, The Chemical Brothers, Mark Ronson, M.I.A, Disclosure, Icona Pop and festival favourites Stafford Brothers, Timmy Trumpet will be back in action.  Get your neons and dancing shoes on for this one people!

If this song doesn't take you back to circa 2005/2006 i don't know what will...

7. All these other gigs!

Check out your local gig guide for more info :)

September

Parklife (Sydney, Melbourne, Brisbane, Adelaide, Perth)

Counter Revolution (Sydney, Melbourne, Brisbane)

Village Fair (Sydney)
October
Jazz in the Vines (Hunter Valley, NSW)

Manly Jazz Festival (Sydney)

Stonefest (Canberra)

Rewind (Kembla Grange, NSW)

The Boroughs (Perth, Adelaide, Melbourne, Brisbane, Sydney)

Counter Revolution (Adelaide, Perth)

Fat As Butter (Newcastle)

November

Queenscliff Music Festival (Melbourne)

Shine On (Melbourne)

Foreshore (Canberra)

Stereosonic (Sydney, Perth)

Blues at Bridgetown (Bridgetown, WA)

Harvest Festival (Melbourne, Sydney, Brisbane)

December


Falls Festival (Melbourne, Hobart)

Meredith Music Festival (Melbourne)

Stereosonic (Melbourne, Adelaide, Brisbane)

Peats Ridge (Glenworth Valley, NSW)

Pyramid Rock Festival (Melbourne)

Homebake (Sydney)

Woodford Folk Festival (Brisbane)

Good Vibrations (2012) (Sydney, Melbourne, Brisbane)


January

Big Day Out (Melbourne, Sydney, Brisbane, Adelaide, Perth)

Southbound (Perth)

Rainbow Serpent Festival (Melbourne)

Summafieldayze (Gold Coast)

Summadayze (Melbourne, Adelaide, Perth)

Soundscape Festival (Hobart)

Tamworth Country Music Festival (Tamworth, NSW)

St Jerome's Laneway Festival (Brisbane)

Thredbo Blues Festival (Thredbo, Victoria)

February

St Jerome's Laneway Festival (Melbourne, Sydney, Adelaide, Perth)

Riverboats Music Festival (Vic/ NSW - Murray River)

A Day on the Green (vineyard-based events - Victoria, NSW)

National Festival of Australian Blues Music (Sydney)

Soundwave Festival (Brisbane, Sydney, Melbourne, Adelaide, Perth)

Earth Freq (Sydney)

Between the Bays (Melbourne, Mornington Peninsula)

Clarence Jazz Festival (Hobart)

March

Future Music Festival (Brisbane, Perth, Sydney, Melbourne, Adelaide)

MS Fest (Hobart)
Soundwave Festival (Melbourne, Adelaide, Perth)

Corinbank Festival (Canberra)

Nannup Music Festival (Nannup, WA)

Port Fairy Folk Festival (Port Fairy, Vic)

Brunswick Music Festival (Melbourne)

love ran xo

QandA with ... EGO

The best part about seeing your favourite DJ live is hearing for yourself their take on mixes and their interpretation of songs and beats - there's nothing like live exposure to these audio magicians who bless our ears with their skills and talent.  But why should the entertainment stop at one sense?

Ego takes this challenge head on, creating visual - audio treats for music and pop-culture lovers alike.  Having worked and performed as one half of the duo ' Nice and Ego, ' Ego is now working on his craft solo.  With a  video mixtape scheduled to drop very soon, EGO talks influences, methods and the crazy amount of time that goes into preparing for a live show.



RTM: What is the first thing you want people to know about DJ Ego?

E: That I'm not just a DJ, I perform with video too, some people call it AV DJing, some call it video DJing. But i basically play videos and music at the same time.

RTM: What can people expect at one of your live shows?

E: A good time. Plus something really different to anything they've seen before, I splice movie samples, film clips, youtube memes and other visuals together with party tunes - it's

RTM: You've just wrapped up doing live shows as one half of Nice and Ego -including a visual audio spot at Splendour in a the Grass in July - how has it been?  Are you exhausted?*

E: Yeah touring was rad, every show was a blast but yeah Splendour was off the map, that's the first time I've played a stage like that, it was a total trip and the response was awesome. But yeah I've been knackered, though I've just taken a month off performing and been in the studio putting together a video mixtape and some fresh content for the solo shows so feeling refreshed and ready to hit it again.

RTM: How did you first get into doing Visual Audio projects?

E: Mr Nice introduced me to it, I've been DJing for years but I'm also a video producer so it was a perfect fit. We ran a couple of AV nights here in Melbourne for a while which were consistently awesome parties so we decided to take the show on the road.

Check out more of Ego's track on Soundcloud

RTM: Audio Visual DJing seems very much like the "chicken and the egg" conundrum; i.e. which comes first - ideas for the videos or ideas for the music?

E: Yeah totally, basically I get my ideas any way they come - if its a song that conjures up a solid visual then I go hunting for that visual sample, or if its a movie or other that I want to sample then I try and find a song that fits with the sample. But its most often music first, video second. Sometimes the connections are quite literal, sometimes they're contextual, sometimes it's just the vibe. But I make an effort now of sitting on an idea for a bit before barrelling into it, often a lot of good ideas don't really work on the dancefloor, so I stand back and assess how it might work into my whole DJ set.

RTM: How long does it take to prepare for a live show?

E: Forever. Seriously. Every song needs to have a visual treatment, sometimes that can take a few hours to whip up but more often it takes me weeks of digging for the right sample and playing around with ideas before then editing it together. There are bits of my set which are only say 2 minutes long but it took me seriously two to three weeks of work to put together. It's kind of dumb.

EGO's video mix tape is just around the corner

RTM: When mixing, is there a certain method or formula you follow?

E: I have a lot of favourite mixes, tracks which just sit really well together so I always have them up my sleeve but just try and bounce to whatever the crowd are vibing, though like I say, when every track takes forever to make visuals for it's harder to be impromptu doing an AV show than it is doing just an audio set.

RTM: Dance, Electric, D&B and Dubsteb have been very popular in mainstream markets recently - which DJs stand out to you?

E: There is so much awesome music being made, it's almost impossible to keep up with who is doing what anymore, there are rad producers popping up from everywhere. I guess for me guys like Diplo and A-trak who have stood the test of time and continued to be at the cutting edge of music and continually redefine dance music easily top my list. I love DJs who add their own spin to things, it's one thing to play all those popular bass genres and play them well but its another thing to sound original.

RTM: What genres and/or artists do you draw inspiration from?

E: I get a lot of my inspiration from local, Australian, guys who are pushing the envelope, guys like Cutloose, Sampology and the Surecut Kids. I try and listen to everything though, be on top of all genres and styles, I listen to a lot of podcasts to find out what's getting played in clubs overseas, as well as local radio to stay up with what's getting played here.

RTM: This year Nice and Ego mixed up Triple J's Hottest 100 which the people loved and ended up being aired on Triple J - do you have any picks for who might make the Hottest 100 in 2013?

E: It's often tough to pick, a lot of the songs I'd like to make it don't and songs which are huge at the start of the year lose popularity by the time the poll comes around. I imagine Flume will be well placed, he's just blown up which is awesome. Major Lazer's Get Free has been a huge anthem too. Grimes, Alt-J, Frank Ocean hopefully, Totally Enormous Extinct Dinosaurs, The Presets are home town heroes. It's funny, before doing that mashup we kind of mapped out what we thought would be in it to be ready to get busy on it once it got announced, and we were pretty far off with some of our predictions!

RTM: When can we catch next catch Ego?

E: Hopefully I'll be hitting the road again soon. Once I release my video mixtape I'll no doubt be ready to get the hell away from my studio and back out performing.

Check out Ego on Facebook  or connect on Twitter

www.watchyourego.com

Gig Review: The Beautiful Girls

The Beautiful Girls

Thursday August 23, 2012

Last night as part of their 10 year anniversary tour, The Beautiful Girls took to the stage at the famous Adelaide venue "The Gov," giving fans, old and young alike a night to remember.

Seasoned professionals, the band was flawless, reminiscent of their recent set at Splendour in the Grass at Byron Bay.  It was a more relaxed environment, initially, despite the boys opting to not perform any tracks acoustically, admitting they had tried half and half in a previous gig and it was "shit."

The concept of a "shit" gig by TBGs seemed laughable as the show progressed, and Mat McHugh was flawless in all his stomping glory.  The unique vocals that fans had grown to love over the airwaves were brought to life on stage complimented by funky instrumentals and beats.

The Beautiful Girls did everything to keep the crowd right where they were.  They didn't save the most popular songs 'til last and chucked in a few sneaky covers here and there - not all picked up on by the crowd but appreciated none-the-less.  To finish off the set the guys broke it down in a way they only they know how and you could tell by the chemistry between them that this wasn't just a band - these guys were, and always will be, bros.

Although there were some members of the audience that had me pulling a face a little like this: 

get. one. step. closer.

the atmosphere in the room was certainly alive and the entire performance felt like a bigger climax than even 50 Shades of Grey could ever produce, with girls absolutely swooning at the bottom of the stage.

Overall the night was a treat.

4 out of 5 surfer beanies!

To check out when you can catch The Beautiful Girls on tour, head to their website.

Splendour Diaries: Day 1

Day one: JULY 27th, 2012.

Ahhh the time was finally upon us! Excitement filled our veins as we walked across the Gold Coast tarmac, with many other festival goers, and breathed in the humid Queensland air. We had arrived and Splendour was only a rental car trip away.

We hopped into our Micra (affectionately named Misty) ready to go! It was me in passenger, Nat in the drivers seat and the open road ahead of us..."um Nat, can you drive manual?"...it was Nat in the passenger seat, me in the drivers, and the road to Byron Bay ahead of us!

So far the city of Byron Bay has been nothing but welcoming to festival goers. Shop fronts have wellies on display, ponchos available and shuttle busses available to the festival from town in every form, including a bathtub on wheels behind a gentlemen on a push bike.  The love for music is in the air and everyone is here to have a good time.
Whilst no SLRs are allowed within the venue, we eventually made it through ( thanks to the lovely festival worker Joe Contin) - small cameras and iPhone with instagram handy. Who needs SLRs when you have old mates hefe and low fi in your pocket anyway.  The sun was shining and the bass of the acts within was all that we cared about at this point in time.

First act of the day was Australian hip hop act Platnium Pen catching the eyes and ears of festival goers walking past. The boys were using classic beats from hip hop acts such as Snoop Dogg, Hilltop Hoods, Jurassic 5 and Kelis putting a new flavour on it with their own lyrics and attitude.  The boys were nice enough to give us a copy of their album - I smell our next interview for the blog!!

After realising that we were at the wrong stage for Chet Faker, we shuffled out way to the other side of the festival to catch the second half of the set by the man with the furry furry beard.  Taking his tracks to the next level with extended instrumental breaks, Chet was charming, clearly humbled by the massive crowd and sang to perfection.  Finishing with his own (well known) interpretation of "No Diggity", if you weren't a fan of Chet Faker before, you definitely would have been afterwards.

A gap in the afternoon meant a while to check out the other side of things that Splendour had to offer.  This included getting involved with the drums workshop help by Samba Bellista, a spot of shopping and tarot cards. It was at about this time where the weather turned around, realised (almost) everyone was gum boots and took it as a cue to make it rain. - no wait - hail??? For about 20 minutes there was nothing but stormy weather turning Splendour into sight which could have been easily confused for Glastonbury.  And although the rain did cease eventually, it set a muddy muddy scene for the rest of the day and night.

Other acts we caught throughout the day were AV show DJs Nice and Ego, the incredible Bertie Blackman, Gypsy and the Cat,  Hypnotic Brass Ensemble, Lanie Lane, which featured a surpise one off Nick Cave cover duet with Krum from Spiderbait (yes I have it recorded, stay tuned), The Shins, Kimbra and yes - Mr Jack White himself.

Kimbra was a particular highlight for me.  Freshly back in Australia after touring Europe with Foster the People, the little kiwi's performances and stage presence has come an incredibley long way since Falls Festival earlier this year.  Although having always been an amazing singer, Kimbra now has mastered crowd interaction, oozing confidence that was most noticeable in her band's new rendition of one of her first hits "settle down".

The entire festival was present for Jack White.  We perched ourselves up on the balcony of the festival's Strongbow Bar and listened to the seasoned rock star play hits from his latest album "Blunderbuss" before taking the crowd back in time.  It's safe to say pretty much everyone lost their shit when the bassline for 'Seven Nation Army' started up.

Today - Ball Park Music, Bloc Party, Last Dinosaurs and The Kooks to name a few.  I have some amazing photos and video footage which I cannot wait to share with you.  Here's to two more days of great music, beer and mud!

Ran xo

2013 - A Somewhat Big Day Out?

Festival heads around Australia would have received a little somethin' somethin' in their inboxes last week telling them to save the date - the Big Day Out 2013 Line Up is coming!!

But close your eyes and remember January 2012, and you may recall the widely discussed changes that the "Not such a Big Day Out" saw.  For a festival that has once had headliners such as Marilyn Manson, The Prodigy, Rage Against the Machine, The Ramones, The White Stripes and Nirvana gracing their stages, the more recent line ups have seemed lacklustre in comparison. Whilst there has been an explosion of festivals, from various genres, across Australia it seems the Big Day Out coordinators have been happy to take a step back from the limelight and let the other festivals have their time to shine. A strategic step? Maybe - but replacing your headlining acts with a water slide? To some - not such a rock and roll move.

A sight often witnessed at Big Day Out festivals
across Australia.

Yes, last year we did see international superstar Kanye West take to the stage, but the festival's headliner pulled out of 3 of the 6 festival spots he was lined up for, and for the most part of the others was lying on his back talking about his feelings through auto tune.

Kimbra amazed during her
2012 Big Day Out sets

2012 saw some of the best acts not on the main stage, with discovery of the amazing Kimbra for many, the always entertaining boys from Bluejuice doing what they do best and Foster the People drawing crowds away from Noel Gallagher. And then there are your festival regulars - the bands whose names are synonymous with "Big Day Out" - but are these acts getting tired? or alternatively are these acts the reasons the same people keep coming back?

This time next week we will have the first announcement of the line up for the 2013 Big Day Out. This time next week we may be able to tell if Big Day Out really is losing it's edge or if it will be redeeming itself for this year's disappointments.

But at the end of the day a festival is always going to be what you make it, and nothing beats the feeling of seeing your favourite band live, losing your shit with your friends and confusing bass-lines with your heart beat. There's a reason we keep going back after all.

This year tickets will be $165.00 - no catches!...
(apparently - carbon tax levy anyone?)

Big Day Out regulars Hilltop Hoods - Circa 2010

The line up will be announcced 12:01 Monday 16th July - $165.00 per ticket, On sale July 19th.

For more information on tickets or on how you can win a trip to Lollapalooza head to the

 Big Day Out Official Website.

Who is Diplo?

If like me you've been living under a rock for the last 5 years then you've probably only become aware of the DJ/Producer "Diplo" in recent months.  Announced as part of this year's Stereosonic line up, it's  very possible that if you're not yet a fan, by the end of this year you may well be.

Diplo is coming to Australia late 2012 or Stereosonic

When the Stereosonic lineup was announced yesterday with Diplo as one of the headlining acts, it's safe to say that social mediia went a little bit crazy, with many describing the line up - which also includes Avicii, Laidback Luke and Tiesto - as "MASSIVE!!!!!"

If the name "Diplo" doesn't ring a bell, try names such as M.I.A, Missy Elliot , Lil' John, Snoop Dogg, Kid Cudi and Santigold. These are some of the artists that Wesley Pentz, a.k.a Diplo, has worked with over the years, most notibly working with M.I.A on her grammy nominated hit "Paper Planes" in 2008.

  

Diplo partaying with M.I.A

As well as being a producer and a DJ, Diplo has founded "Heaps Decent", a social relief program to help children, right here in Australia.  Through providing resources for underprivileged youths, Heaps Decent supports  and encourages creativity belieiving in doing so a "new unique music scene will be uncovered."

So if you're like me and have been living under a rock for the last 5 years, never fear for by the end of this article you will know who Diplo is and the influence he is having on the music industry, on both a local and international scale.   Through his philanthropy and production, to live shows and collaborations Diplo is a powerhouse taking musicianship to the next level.

To hear more from Diplo you can check out his soundcloud page or catch him on the east coast for Stereosonic - details on RTM's Festival Updates Page

Lily Allen announces return to studio

Lily Allen created a buzz over the internet yesterday when she tweeted that she was back in the studio with Greg Kurstin, the grammy award winning song writer behind Allen's hit "The Fear," and producer behind her last album "It's Not Me, It's You."

The cute-as-a-button-don't-be-fooled-by-her-looks songstress had released 2 studio albums, 'Alright, Still' and 'It's Not Me, It's You' before announcing that she would no longer be recording, touring or performing under the name "Lily Allen."


Lily says she has always tried to write things that are both relevant to her life and universal. 'It's not Me, It's You' referenced everything from racism and celebrity and consumer culture to TV dinners and premature ejaculation.

Who'd have known - where Lily Allen portrays an obsessed fan who kidnaps Elton John.

Lily Allen for Chanel

Whilst content of her repetiore is both topical and entertaining it is the poppy style of the music and Lily's down-to-earth personanilty that makes her so well received by such a diverse audience. But Lily isn't just a singer/songwriter.  She is also a self described Fashion designer, Political activist, Mouthy blogshite, X-rated sexpert, Fall-down drunk, WAG-tagoniser, Queen of MySpace, Exhibitionist, Primadonna, Style icon, Celebrity girlfriend, Celebrity daughter, Celebrity sister, Paparazzi prey, Party starter and Princess. Constantly in the public eye, Lily battled having all aspects of her life pulled to pieces by media and paparazzi - it's almost no surprise she took the break she did.

Lily performed her last show supporting Muse at Wembley Stadium in 2010, and since then has set up a fashion rental shop with her sister and also launched her own record label, however the void she left has yet to be replaced, which is why everyone was so excited yesterday when she announced her return to the studio.

"You will be pleased to know that i am currently in the studio with @GregKurstin" she tweeted yesterday, following with "No big deal really, i'm jut throwing shit at the wall and seeing if anything sticks."

Well Lily, we certainly are pleased and cannot wait to hear what you have to say this time 'round.

The Fear

It has been reported that Lily Allen's next album can be expected as early as January next year.

Parklife 2012 - Hibernation Ends Here

It's coming...

Parklife has announced that the 2012 Parklife line up will be released June 19th - only 12 days to go! (let the countdown begin...)

Parklife is a varietal music festival featuring current and up-and-coming artists from a range genres.  Previous years as seen performances from artists such as Washington, Kele, Cut Copy, Missy Elliot, Digitalism, Gossip, Santigold, Example, Little Dragon, Kimbra, Duck Sauce, Nero and Adrian Lux! (just to name a few!)

Come back to rantypemusic as your point of call, Sunday June 19th, to see who features in this year's line up.

Parklife dates and venues: 

Brisbane
Saturday September 29
Riverstage and Botanic Gardens

Sydney
Sunday September 30
Centennial Park Perth

Monday October 1
Wellington Square

Melbourne
Saturday October 6
Sidney Myer Music Bowl and Kings Domain

Adelaide
Sunday October 7
Botanic Park, Botanic Gardens of Adelaide

Register now via the Parklife website for your chance to snatch up a $25 ticket!

#winning!