We are on the cusp of the festival season with Laneway back with an amazing line up.

(and not to mention a new venue in Adelaide.)

Laneway Festival 2014 lineup:

Mount Kimbie

Jamie xx

Earl Sweatshirt

The Jezabels (exclusive to Laneway)

Cloud Control (exclusive to Laneway)

Savages.

Adalita

Autre Ne Veut

Cashmere Cat

Cass McCombs

Chvrches

Danny Brown

Daughter

Dick Diver

Drenge

Four Tet

Frightened Rabbit

Haim (exclusive to Laneway)

Jagwar Ma

King Krule

Kirin J Callinan

Kurt Vile

Lorde (exclusive to Laneway)

MT Warning

Parquet Courts

Run the Jewels

Scenic, The Growl

Unknown Mortal Orchestra (exclusive to Laneway)
Vance Joy

Warpaint

XXYYXX

Youth Lagoon

___


RTM

ST JEROME'S LANEWAY FESTIVAL 2014

SINGAPORE: Saturday 25th January - The Meadow, Gardens By The Bay

AUCKLAND: Monday 27th January - Silo Park

BRISBANE: Friday 31st January - RNA, Fortitude Valley

MELBOURNE: Saturday 1st February - Footscray Community Arts Centre (FCAC) and the River's Edge

SYDNEY: Sunday 2nd February - Sydney College of the Arts (SCA), Rozelle

ADELAIDE: Friday 7th February - Harts Mill, Port Adelaide

PERTH: Saturday 8th February - Esplanade Park and West End, Fremantle

www.lanewayfestival.com.au

Future Music Festival 2014

Future Music is back again.

Full Lineup:

Deadmau5
Macklemore & Ryan Lewis
Phoenix
Hardwell
Knife Party
Eric Prydz
Rudimental
Tinie Tempah
Chase & Status
Sub Focus
Netsky
2 Chainz
Kaskade
Dada Life
Porter Robinson
Naughty Boy
Cut Copy
Paul van Dyk
Markus Schulz
ATB
Chuckie
Arty
R3Hab
Martin Garrix
Baauer
Monsta
Helena
Adventure Club Carnage
Bassjackers
Deniz Koyu
Dannic
Dyro
Stafford Brothers
Timmy Trumpet
Walden
Tenzin
Will Sparks
Helena
Sven Vath
Dubfire*
Maya Jane Coles*
Paul Kalkbrenner*
Gesaffelstein Live
Brodinski
Kaytranada*
Gorgon City
Guy Gerber*

Future Music Festival 2014:

Sat 1 March
RNA Showgrounds
Brisbane

Sun 2 March
Arena Joondalup
Perth


Sat 8 March
Royal Randwick Racecourse
Sydney


Sun 9 March
Melbourne
Flemington Racecourse

Monday 10 March (Public Holiday)

Adelaide Showgrounds
Adelaide

* Artists may vary from state to state.

Ego, on tour.

Video-Audio mashup extraordinaire, and friend of rantypemusic, Ego, is currently on tour.

"I’ll be bringing in lots of surreal elements as well as getting tropical, bringing some world bass and global sounds to the club on this tour and general just getting trippy. Sampling everything from cinema classics to forgotten footage, old magazines, 70′s home movies, 80′s beauty pageants, 90′s infomercials and today’s YouTube sensations."

- EGO

___

We caught up with EGO last year, fresh after Splendour 2012 - to see that chat, click here.

Tour Dates

AUSTRALIA______________
Sat 20 July Capitol, Perth WA
Thu 01 Aug – The Roundhouse, UNSW Sydney NSW
Sat 03 Aug – Republic Bar, Hobart TAS
Thu 08 Aug – Oh Hello! Brisbane QLD
Fri 09 Aug – Cats @ Rocket Bar, Adelaide SA
Sat 10 Aug – Pier Hotel, Port Lincoln SA
Wed 21 Aug – Karova Lounge, Ballarat VIC
Thu 22 Aug – Eureka Hotel, Geelong VIC
Fri 23 Aug – Can’t Say, Melbourne VIC
Sat 24 Aug – The Woodport Inn, Erina NSW
Wed 28 Aug – VICE Presents @ Goodgod Small Club, Sydney NSW
Thu 29 Aug – Workshop: APPLE Store, George Street, Sydney NSW
Fri 30 Aug – Never Land Bar, Coolangatta QLD
Sat 31 Aug – Beach Hotel, Byron Bay NSW

INTERNATIONAL___________
Wed 04 Sep – Betty’s, Wellington, NZ
Thu 05 Sep – The Back Bar, Hamilton, NZ
Sat 07 Sep – Goldfinch, Auckland, NZ
Fri 13 Sep – Hu’U Bar, Bali, Indonesia
Fri 20 Sep – Johannesburg, South Africa, TBC
Sat 21 Sep – Assembly, Cape Town, South Africa Sun
22 Sep – Cold Turkey, Cape Town, South Africa
Mon 07 Oct – Workshop: Heaps Decent, Redfern Community Centre, Redfern

More information here

Gig Review: The Beards (London)

The Beards

Everyone with an older sibling has the experience of their older brother or sister telling them about a 'cool' band that they should listening to.  "Not everyone knows them, but they're really good and they'll probably be really big one day!" OOoohh we say. tell us more!  I still remember when my sister told me about a cool band. "They only sing about beards!"

....

Um. Ok.  Cute! Catchy song, but surely it's just a joke, right?  Cut to a few years later (8 years to be exact) and I am on the other side of the world and find myself interning for the company that does London based PR for the very well known rock band known as The Beards.  I guess the joke's on me!

The Beards originally formed in 2005 "a dark time for the beards. It was a time when having a beard could mean unemployment, social isolation, and sometimes death. That’s when four defiant bearded men from South Australia decided enough was enough, and the beard revolution began."  The humour and catchy tunes produced by this passionate foursome has seen them score incredible exposure online via through social media and cheeky online videos as well as eventual airplay and a spot on Triple J's Hottest 100 for 2012.  Whilst some say The Beards are serious, and other's argue it's all an act, their's no denying that these fella's are set on bringing back beards and they sure can put on one hell of a show. 

On Monday the 20th of May I was lucky enough to score a pass to The Beards' London gig at the Hoxton Sqaure Bar and Kitchen.  If you've haven't heard of The Beards just yet, you clearly don't have one.  Hailing from Adelaide, South Australia The Beards are an incredibly talented and incredibly bearded foursome who write and perform rock-bluesy songs about their one and only passion of beards (and their loathe of those who don't have beards.)  Ever entainting with well known songs such as "If your dad doesn't have a beard,  you've got two mums" and "You should consider having sex with a bearded man," The Beards are showing no signs of slowing down any time soon.

At one point during the show, my (bearded) friend Jay observed The Beards' front man and turned to me and said "If he's pulling out a keytar solo in only the third song, you really do wonder what's going to come next!" What did come next were a kazoo, a saxophone solo, and songs that brought the house down, ballads that made lighters wave from side to side in the air, and many, many beard rubbing between men.  And it was perfect.

The thing about The Beards is that not only are their lyrics and characters hilarious, but their songs are an incredible mix of old-school blues and rock that is incredibly enjoyable to listen too.  Extremely talented gentleman, I am quite certain that this bearded group are in fact a group of bearded geniuses.

I could go on but I'm hesitant to as I believe this show is to be enjoyed in person.   All I can say is you are in for a treat - a good audience, great music and performers that will have you smiling right into the next day; and the whole 'beard thing'? - it doesn't get old.  The Beards have well and truly mastered their craft and I was so thrilled to see them have the reception they deserved in Hoxton, London.

For more information on The Beards and any upcoming tour dates, check out their blog, facebook or twitter.

The Beards at Hoxton Square, London.

A few funny things from the Adelaide Fringe

With numerous festivals happening throughout the state simultaniously, it's not suprise the locals refer to it as "Mad March."  The Adelaide Festival, The Clipsal 500, Various music festivals such as Future Music Festival and Womadelaide as well as numerous food and wine weekends and pop up bars and cafe have once again brought vivid life to the Adelaide City Streets.

Artist bar; Pru, Nat, Official Fringe Ambassador
 Paul McDermott and Ran!

Some would argue that the main event of course is The Adelaide Fringe.  Often compared with the world famous Edinburgh Fringe and Comedy Festival.  Showcasing some of the finest comedy, dance, art and theatre that Australia, - and many other countries, - have to offer, the Adelaide Fringe is quirky, eclectic and ever entertaining. 

"Unlike a curated festival, the open-access nature of Adelaide Fringe means that anyone with a show, exhibition or cultural event is able to register and be part of Australia’s largest arts event. The result is one of the most diverse arts festivals in the world, renowned for fresh ideas, spontaneity and fun.

Artists from around Australia and across the globe participate alongside home-grown talent, in art forms spanning cabaret, comedy, circus, dance, film, theatre, puppetry, music, visual art and design."

www.adelaidefringe.com.au

Once of the main venues of the Adelaide Fringe is located at the east end of the city - The Garden of Unearthly delights; affectionately known by locals as "The Garden."

An outdoor stage, various market stalls and enough food stalls to feed a small village come together to create the garden as well as fair ground rides and games and of course the many stages for the many fringe shows.

Fortunate was I to get along to Sammy J's show "Potentially" - which was held within the Garden of Unearthly Delights at the Umbrella Stage.  Sammy J is more commonly known for his musical routines in which he duets with a purple puppet called Randy (his best friend from University) however in this show Sammy J was refreshingly performing alone, allowing the audience to get to know him on a more personal level.

Sharing a combination of captivating stories and cheeky songs Sammy J was both charming and hilarious.  Although the show wrapped perfectly we were all left wanting more.  As many comedians do, Sammy J met with the audience afterwards assuring no face was left not smiling.

Sammy J was charming and hilarious

It has to be said that one of the fantastic things about the Adelaide fringe is how all the participating artists are often floating around and more than happy to chat to fans and fringe goers everywhere.  Especially perhaps those aspiring themselves to be artists, comedians or actors.

Newcomer to the Adelaide comedy scene Patrick Meynell has been performing at various gigs as part of the Adelaide Fringe.  Last week Patrick took some time out to chat to Ran Type Music about his experiences so far.

RTM: You're relatively new to the Adelaide Stand-Up Comedy scene in Adelaide - how would you describe the comedy community here in South Aus?

PM: It's amazing. It's very close knit so everybody knows each other and we're all good friends. About two years ago one of Adelaide's funniest comedians, Michael Bowley, established Monday night open mic competitions at Rhino room so the scene has exploded since then because it was one of the first times there was an outlet for up and coming comedians to have a crack in front of a real comedy audience. A lot of them will be well known individuals in the coming years, I have no doubt. The talent here is crazy.

from www.au.timeout.com

RTM: How did you get involved with performing at the Adelaide Fringe?

PM: There are a number of variety shows and showcases on around town that i was lucky enough to be offered a spot in. They are basically a compilation of young comedians who all get to do a 5 or 10 minute set. Some of them run throughout the year also so they are a great opportunity to hone your jokes. Somehow I was also selected to perform in the Raw Comedy state final in late Feb in front of 450 people at the Arts Theatre which was absolutely the most fun I've ever had in my life. The winner of the night, Demi Lardner, has a fringe show on at the moment with another state finalist (Bryn Adams) called 'No?' which I can't wait to see. They are both hilarious. Good people too.

RTM: Have you managed to see any other Fringe performances?

PM: I've spent pretty much every waking minute at Rhino since Fringe started and they've just finished the first half of the festival, so this week is where the changeover happens and the new acts begin performing. In the first few weeks I got to see a bunch of Adelaide's favourites (Dave Campbell, Angus Hodge, Fabien Clark, Georgie Carrol) and other interstate and international acts. I saw Dayne Rathbone last week and he floored me. There are some amazing acts coming up too that I can't wait to see.

RTM: You've said that 9 months into your comedy career you have "met people you have been watching on TV for years" - who have you met? have they given you any words of wisdom?

PM: It's been mad. I met Arj Barker the other night. I was pretty drunk but I remember him being pretty freaking cool. Greg Fleet has just finished his run at Rhino (his show was maybe my favourite of the festival so far) and has been hanging out there pretty much every night. I was lucky enough to meet him earlier in the year and he is legitimately one of the nicest people I've ever met. And he just doesn't know hot to not be funny. His show was really honest and sad, dealing with some of his major addiction struggles and problems over the years, but it never stopped being hilarious either. He does the type of comedy that I would love to be doing one day. He gave me some advice when I first met him that I haven't forgotten and I've used every time I've written a set since: "Put your second best joke first and finish with your strongest bit". It seems like simple advice, but it opened up so many new ideas for me when I was writing. He also hosted a night that I performed in a few weeks ago and when I had finished he told the crowd that he "knew [me] when I was less good". I'm taking it as a compliment. Although, he did a 3 minute intro for me describing how I used to be a hired killer, so I don't know whether to believe him or not.

RTM: What would you say the best part of the Adelaide Fringe has been?

Newcomer to the scene, Patrick Meynell

PM: Apart from all the great shows I've seen, just the atmosphere. Particularly at Rhino. Once the performers are off stage, they just become one of the crew, hanging around and drinking. Hannah Gadsby was tending bar on Friday night for who knows what reason. it's just such a great scene to be a part of.

RTM: Tell us a bit about your routines - who do you think would enjoy your shows?

PM: I really have no idea how to answer that. I just try to write things that amuse me. What i really like in a comedian is honesty. The truth is often sad and depressing and to me, that is hilarious. So I have a lot of material about things that hurt me in some way. A good bit of heartbreak is worth hours of material. You do need to remember to put jokes in though. Otherwise it just sounds like you're reading from your suicide note.

RTM: What would you say to anyone considering giving stand up comedy a go?

PM: The concerned asshole in me would tell you to fuck off. We don't need the competition. There's already way too many funny people. The nice guy in me that I try to silence would say that if you think you're funny, go for it. You'll find out pretty quickly if you are or not.

RTM: Finally, any upcoming gigs?

PM: I'm performing in a variety show Wed 13th at The Ed Castle. That's officially my last set during Fringe, but I seem to pick up random sets here and there. I did a bit on Sunday during a friends Fringe show cos it was her final night and she was doing an 'anything goes' kind of thing. That was fun so hopefully I'll get a chance like that again. After Fringe it's back to hitting up Rhino every Monday night and doing spots around town whenever people are nice enough to book me. My goal is to have a show next Fringe with a friend of mine. He started about 2 months after me and we make each other laugh constantly with our sets. Also, he's a lot funnier than me so I'm going to ride on his coat tails.

Follow Pat on Twitter @PatMeynell

For more information on the Adelaide Fringe visit www.adelaidefringe.com.au and www.gardenofunearthlydelights.com.au

Pat in action

Festival Review: St Jerome's Laneway Festival

On February 8th, 2013, Adelaide Laneways were graced with the likes of The Rubens, Flume, The Japandroids, of Monsters and Men, Bat for Lashes, Chet Faker, Alpine, Alt-J  and many many more musicians, both local and international for the St Jerome's Laneway Festival. 

A smorgasbord of indie / folk/ rock acts assured that the event was a sell-out with many punters arriving before 5pm to enter the venue, suss out the situation and plan their attacks on how they would venture from stage to stage to see their favourite acts. (time of course would assure that this was not up to individuals but rather the incompetent security staff and systems put in place by event management.)

The Divine Fits - up close and personal

Nat and Brit - Awesome!
 Follow @natbrunoli on twitter.

But first; the music.  Whilst many were unfortunately unable to access stages to watch musicians play (we thought this is what the $120.00 was for?...) this music blogger, was more fortunately familiar with the venue and "laneways" and was one of the lucky ones.  Alpine were first on the agenda - drawing in a reasonably sized crowd it was clear from the get-go that many festival goers were those who listened to entire albums rather than the singles alone.  Dancing and singing along was madatory and the Alpine singers Phoebe Baker and Lou James were flawless - the bands live rendition of their biggest hit "Gasoline" was pure bliss to listen to. 

Next, we caught Yeasayer, Cloud Nothings, Chet Faker, The Rubens, Of Monsters and Men, Flume, Japandroids (AMAZING), A little bit of Alt-J, a little bit of Bat for Lashes and finished then night with the Divine Fits - Cudos to Miss Natalie (who often writes album reviews for RTM), who managed to sneak backstage to hang out with non-other than front man Britt Daniels.  

image: boudist.com

All artists were incredible, performing to a tee - This was the fourth time I had seen The Rubens (although at about 5'5" I use the word "seen" loosely) and the boys did it again, melting hearts or girls (and likely guys!) everywhere.

Unsure of what Flume would play and how he would perform, it quickly became evident that this young DJ has established his own sound signature as well as cult following.   His mellow beats and remixes are surprisingly refreshing in comparison to the dance music played on commercial stations, and it's for this reason it's a safe call to say that the best of Flume is yet to come.

Japandroids were my personal highlight and I think it was because this was an unplanned band to see - although in the lead up, many people had nothing but good things to say.  I was so impressed by the stage presence that the two (yes only TWO) band members gave off, and the racket of rock and roll noise they produced. 

the not so great wall of weslo.

Overall the music was fantastic and the line up did not disappoint.  The venue, security and management of the event however was poorly executed and even behaviour from SAPOL was misunderstood by the crowd, who by comparison to other music festivals were not that bad.  I witnessed one of the two arrests on the day which "required" 3 police officers and 2 security guards to aggressively pin down a young male who did not appear to be resisting in any way.  It was unclear why this arrest took place, including by fellow policemen who were clearly more flustered and panicky than general crowd members.  Further  embarrassment to the Adelaide festival is highlighted in today's Indaily, which reads:

"The locked gates meant the smaller stage inside Fowlers Live emptied out quickly and Brooklyn punk act The Men played to no more than 15 people on their first trip to Australia."

How the crowd control was conducted remains a questions for the authorities, however this was clearly a foreseeable problem considering the calibre of acts performing, in the highly condensed time table, in incredibly small locations.  An alternative to the City West Campus? Perhaps the Adelaide Show grounds.  Sure the "Laneway" concept is novel, however realistically this is people's safety we're talking about, and providing a product that is promised upon purchase of the ticket.  And the Showgrounds have plenty of "Laneway-esk" nooks and crannys more suitable for a 4000 people event.

Scathing reviews of the festival's management have flooded the internet with many vouching that next year they will be attending the festival in another state. 

The Divine Fits

I always say an event is what you choose to make it.  I enjoyed Laneway.  I had a good time with my friends listening to great music.  Money's worth? Perhaps not.  Unfortunately, I believe the Adelaide leg of this festival failed to deliver in many areas for both audience and artists, but I put this as a challenge to the event organisers and look forward to seeing how they will improve this 'boutique' festival in 2014.

QandA with...Full Tote Odds

Full Tote Odds

Adelaide has become synonymous with the genre of music known as "Aussie Hip Hop," since the Hilltop Hoods made it big on the commercial scene with their hit single "Nose Bleed Section" (2003.) 

Since then, more hip hop artists have come to surface and the genre has been prolific; now a common feature on music festival line ups, and with sharp lyrics and catchy beats, are often the soundtrack to summer for Australian youths every where.

Now, a new group from the Adelaide Hills are making their own impact on the music scene. The four piece group, "Full Tote Odds" are regulars on radio stations both local and national and are showing no signs of slowing down any time soon. With the launch of their album "Place Your Bets" happening in a number of days, Levelheaded, Slats, Eslev, Ross Read and DJ Hacksaw took some time out to talk about their craft.

RTM: How did  Levelheaded, Slats, Eslev, Ross Read and DJ Hacksaw all get together to create Full Tote Odds?

FTO: Levelheaded, Slats and Hacksaw started Train Of Thought in 2000. They released a Demo in 02 and a full length LP Moving Heads in 04. Eslev and Mix Zagger joined in 09 and FTO was born.

RTM: Is there a story behind the groups name?

FTO: It's mainly about taking a gamble in music. We have invested a lot of time (10 years) and money into this art and we just hope it pays off... Kinda like gambling.

RTM: Aussie Hip Hop has blown up in the last decade.  What do you think it takes to stand out as an aussie hip hop artist?

FTO: Production quality. A lot of solid MC's aren't getting the recognition they deserve because their music is not at the level it needs to be to compete on the national stage.

RTM: How would you describe Full Tote Odds' sound?

FTO: Soulful, funky Hip Hop with a twist of boom bap.

RTM: Do Full Tote Odds' follow any formulas when coming up with new tracks?

FTO: Not really, every track is so different, they all come together randomly. The only formula is to continue working on a track until we love it. 

RTM: To someone who had never heard of 'aussie' hip hop, what would you say is its' core? How would you define it?

FTO: The core is truth. You need to be honest and tell it how it is...

RTM: What are the boys from Full Tote Odds' most looking forward to with the release of 'Place Your Bets'?

FTO: Getting out on tour.

RTM: Full Tote Odds are scheduled to tour early 2013 - what can people expect from your live shows?

FTO: Expect a big sound. We have 3 mcs, 2 singers, a DJ and a sound engineer ready to blow the speakers. We are headlining schoolies festival on the 18th and playing Hombake festival on the 8th December, followed by a full national tour in Feb/March 2013.

RTM: Where do you hope to see FTO at this time next year?

FTO: Touring extensively and punching out a new album.

Full Tote Odds are:

Levelheaded

Slats

Eslev

Ross Read

and DJ Hacksaw

Connect with Full Tote Odds on Facebook, Twitter and Triple J Unearthed

Gig Review: The Black Keys

The Black Keys

El Camino Tour

Adelaide Entertainment Center

Tuesday, October 30

Since 'Lonely Boy' went viral across the globe, The Black Keys have become this year's face of Rock and Roll.

It was refreshing to see the Adelaide Entertainment Centre stripped down for such a popular music act; it was nothing but the crowd and Dan and Patrick - more commonly known of course as The Black Keys.  Much similar to Mumford and Sons, the set was simple lighting; an indication of where music is at the moment and how you can tell the difference between a concert and performance. 

The Black Keys - AEC (source: AdelaideNow)

Opening their set with the track that all fans of the hit HBO series "Tru Blood" would love, "Howlin' for you," The Black Keys set the tone  early on.  Dirty, grungy, sexy rock had Adelaide howling for The Black Keys.  After playing a few songs with accompaniments, Dan and Patrick took to the stage -  just the two of them, -  taking the audience back in time, playing a number of old songs, before bringing back the band to play out their most recent hits 'Lonely Boy' and 'Gold on the Ceiling.'

The level of energy in the room was inescapable and whilst The Black Keys had a "lets-get-on-with-it" attitude to the concert, it wasn't insulting by any means; the crowd couldn't agree more - they were there to hear the music!  Although admittedly at times the instrumentals seemed to be arguing over tempo, this was always quickly adjusted, and the music was so good no one really gave a shit anyway.   It's safe to say any errors that were made that may have not gone unnoticed, where immediately forgotten when the worlds biggest discoball dropped for the boys' encore.  (Just search #discoball and #theblackkeys on instragram to see.)

There's something raw about The Black Keys music and seeing them perform live on stage amplified how exactly how cool they are.  The Black Keys may have cracked the mainstream music market but they are by no means a mainstream band, making it clear they are sticking by their roots and that they understand their what their fans love.

To find out more about The Black Keys you can look them up on facebook, twitter or visit their website for gig dates - www.theblackkeys.com

The end.

The Backwater Blues and Roots Festival

The Backwater Blues Festival

19th-28th October

Adelaide and Regional South Australia

From the 19-28th of October across Adelaide and Regional South Australia, music lovers from all walks of life were brought together by the Backwater Blues and Roots Festival 2012. Featuring an array of artists sure to get you knee slappin and toe tapping, the remarkable line up on display this year was shared across the state with acts performing in Mount Gambier, Willunga, Lobethal, Whyalla and McLaren Vale.

On Friday the 26th of October the Old Queens Theatre, in Adelaide was brought back to life with performances from Tara Carragher and Genevieve Chadwick, as well as headliner for the night Mia Dyson. The venue was perfect; decor and lighting breathing energy into the somewhat restored old theatre warehouse, which you just know had seen so many performances and great times before then. Makeshift pop up bars and an eclectic collection of furniture with a silent video of The Rolling Stones projected onto the wall brought together the cool crowd, who were all there for one reason; to listen to good music.

The supporting acts of the night were raw and fantastic. Tara's voice was gorgeous and strong and Genevive rocked out on a guitar held together with gaffa tape and a single bass drum, starting a dance floor that would be grooving all night. Mia Dyson did not disappoint; her voice and the acoustics of her band's harmonies were brought out beautifully by this unique venue's layout.

And that is what is so great about the Backwater Blues and Roots Festival. South Australia is a hub for great music and music lovers alike and it is ideas and events like this that give us an opportunity to share, love and enjoy.

To describe the Backwater Blues and Roots Festival in more detail I've lifted this description from the event's facebook page:

"All great ideas come from a couple of beers, but only the crazy folks remember it the next morning. In 2007 we imagined something reminiscent of the makeshift bars of 1930s Mississippi where weary workers would unwind with a whiskey or a cold beer and dance to the rhythms of travelling blues men and women.

The Mojo Webb band were one of the
acts at this years Backwater Bluesfest

In 2008, Adelaide’s Juke Joint was born. The inaugural event attracted a like-minded audience of music lovers frustrated with the lack of blues & roots events in South Australia. Following such an overwhelming response, the event continued and evolved to become a 10-day celebration of blues & roots music throughout the state. Now in its fifth year, we are taking the blues to Mt Gambier, Whyalla, Lobethal, Willunga and McLaren Vale while also creating a pop-up Juke Joint in the centre of Adelaide at the Queens Theatre.

In true Adelaide fashion, the festival has been nurtured and developed for and by the public. The enduring appeal of the blues lies in its healing properties; the grinding rhythms and purging tales of trouble and strife with which anyone can empathise. It’s organic and real and spiritually uplifting for musician and listener alike. It’s the original dance music. And so, in an era of drive-thru lifestyles, social networking and manufactured musical confectionery, we bring you the elixir: the 2012 Backwater Blues & Roots Festival.

Hand-crafted by: Andrew Dundon & Rob Eyers with Meral Nieman, Tanya Schroeder, Emily Rice, Jacob Habner and the SA Blues and Roots community.

2012 Festival Line-up includes:

Interstate Artists

The Backsliders

Mia Dyson

Jeff Lang

Dallas Frasca

Collard Greens and Gravy

Genevieve Chadwick

Pugsley Buzzard

Brendan Gallagher

South Australian Artists

Mick Kidd

Nick Kipridis

Sweet Baby James & Rob Eyers

Dr Piffle & The Burlap Band

Louise & The Tornados

Jordan Ruru

Don Morrison

Cream Tribute Show

The Red Hot Blues Band

Rhumboogie featuring Chris Finnen

Tara Caragher

Bottleneck Slide Show

Harmonica Intensive with Snooks La Vie and Dave Blight

The Bakers Digest

Cal Williams Jnr

AP D'Antonio

Brenton Manser Duo"

"Mia has been on our dream list for the festival since its inception, so when we found out she was returning to Australia to launch her new album The Moment we jumped at the chance to create a soulful night celebrating the women of blues. Mia will be joined by the smoky, vivacious vocals of Genevieve Chadwick and Adelaide’s own rising star of the blues, Tara Carragher."

To learn more about the Backwater Blues Festival and keep in touch for next year, check them our on facebook, twitter or their website www.backwaterbluesfest.com

Gig Review: Mumford and Sons

Mumford and Sons

Mumford and Sons at the Adelaide Entertainment Centre

Monday October 15th

Adelaide Entertainment Centre, Adelaide

Mondays don't get much better than this.  Willy Mason, Edward Sharpe and Mumford and Sons; all playing individually as well as together.  The Adelaide Entertainment Center has significantly improved in looks and atmosphere since recent renovations.   The concert featuring these talented musicians took place in the newest staging addition to the venue, the Adelaide Entertainment Center theatre - a room off set from the original venue, providing an intimate vibe felt by viewers and performers alike.

The support acts were welcomed by audience with generous applause and cheering non-stop throughout the evening.   Edward Sharpe and the Magnetic Zeros were nothing short of incredible.  With two drum kits, a brass trio, a fiddle and every other instrument under the sun - the band were fun, entertaining and just a cool bunch of kids.  Their rendition of "Home" was stretched out and pleased the groupies who had been waiting all set for the hit.  At one stage during this support act,  Marcus Mumford took to the stage to perform Edward Sharpe and his ensemble, giving the crowd a sneak preview of what was to come. 

The boys wooed the crowd, performing one song with
no technology at all.

When Mumford and Sons took to the stage their set came alive.  It is amazing what four talented young men from the UK can bring to a live performance and it's safe to say there was no room left for disappointment.

Playing tracks from their breakout album "Sigh No More (2010)" it was "Little Lion Man" that saw the room burst into light leaving the audience in awe in a truly magical moment.  The music, the lyrics and the crowd contributed to making that moment one that trumps other memories from the night.


The acoustics of the venue also allowed the handsome foursome to perform acoustically; beautiful vocal harmonies silencing the crowd.

The lighting completed the magical set

Also showcasing songs from their recent album "Babel (2012)," Marcus, Ben, 'Country' and Ted displayed exactly how talented and diverse they each are performing songs that had a bit more edge and a fuller sound.  It wasn't too long ago that a drum kit was foreign to the band, but oh how this has changed with the set ending in a jam reminiscent of The Beautiful Girls' live sets; a bunch of dudes just rocking out. 

The connection between Mumford and Sons and the Adelaide audience was truly something special and the reception and how humbling it was for the band.  This concert will stick with me for a long time.

Follow Mumford and Sons on twitter, or find them on Facebook.

Check out up coming gigs at the Adelaide Entertainment Center here.

7 reasons to get excited for summer

The sun is shining, the line ups are out and I for one can not WAIT to get amongst it this summer.  "It" being the amazing showcase of musicans that will be featuring in festivals throughout our beautiful, sweaty, hot, amazing Australian summer.

The artists traveling down under for this summers' festivals are of the highest calibre, not to mention the incredible homegrown talents that have launched themselves onto the music scene in the last 12 months.  Festivals seem to be popping up left right and centre across the states and what a fantastic opportunity for everyone to see their favourite bands and artists as well as expose themselves to some more.  In case you live under a rock and are unsure of what music festivals I am referring to - Behold!

7 Reasons to get EXCITED for summer!

1. Falls Music Festival
www.fallsfestival.com.au/

Tickets have been sold and received but do not let this dishearten you! There are always genuine people having to sell their tickets for whatever reason.  A friend of a friend - you know the drill! But if someone seems dodgy on ebay - trust me they probably are! You can always try crashing as well - it's not like you'll get lost in the shrubbery or anything! (in case you can't remember; it happened - don't do it)  Angus Stone, Ball Park Music, Bombay Bicycle Club, Boy and Bear, Django Django. Jinja Safari, Lisa Mitchell, SBTRKT, The Hives and The Vaccines are a few names who will be featuring at this years wonderful New Years celebration festival.  A word to the organisers - please sort out the countdown this year.  or just someone to do it.   Falls Music Festival is set to be amazing once again with many of the bands already aurally pleasuring festival goers throughout 2012 and receiving rave reviews. 

 

2. Big Day Out
www.bigdayout.com

Returning to it's former glory, the Big Day Out has audienes excited once more after many were disappointed with the line up choices, with drawls and cut downs of last years music festival.  Boastin international acts such as Red Hot Chili Peppers, Vampire Weekend, Bloody Beetroots and The Killers this year's festival will struggle to disappoint.  Of course there will be Australian bands present with local acts featuring in each of the festivals cities.  Grinspoon, also be featuring as part the festival, will be an Aussie band to keep your eye on - the guys will be showcasing songs from their new album "Black Rabbits."

3. Soundwave
www.soundwavefestival.com.au

This Soundwave line up makes me both laugh and cry.  I loved The Offspring.  I used to listen to them on my discman when I was in Year 7.  I feel the same way about them touring as I do the Backstreet Boys with New Kids On The Block.  I was listening to them around that time too..

Metallica, Blink 182, Garbage, Paramore, The Amity Affliction, Cypress Hill and Tomahawk are a few of the other names that put together this huge Soundwave line up.  I'm sending resident reviewer Nat Brunoli out to this one on RTMs behalf (aka i couldn't afford a ticket) so keep an eye out and say hi!

Tickets are still available so if you're into loud music, head banging and gimp masks, hop to the website and get on it.

4. St. Jermone's Laneway Festival
www.lanewayfestival.com.au

With the pre-sale beginning today, Laneway Festival hits the mark when it comes it chilled our indie pop music featuring the talents of acts that have been prolific this year including Alpine, Alt-J, Bat for Lashes, Chet Faker, The Rubens and Yeasayer.  General tickets are on sale on the 5th of October - so don't miss out!

 

5. Stereosonic
www.stereosonic.com.au

Do you think Calvin Harris is the new David Guetta?  Admittedly I heard of Calvin first, but he's been doing so many collaborations lately it's only a matter of time before Flo Rida ft. Calvin Harris or vise versa hits the charts...if it happens you know you heard it first here.  That said Calvin certainly has earnt himself the spot on headliner at this years Stereosonic Music festival, Featuring alongside names such as Tiesto, Avicii, Example, Major Lazer - the name behind this years smash hit "Get Free" and also that popular beat from Pon De Floor you may also recognise in Beyonce's "Run The World".  Also gracing festival heads are Laidback Luke, Martin Solveig, Diplo, Flux Pavilion, Bingo Players (who better to drop Rattle then these guys themselves), Tommy Trash and Beni.

6. Summadayze
www.futureentertainment.com.au/summadayze

The same group that put together Parklife have put together this stella line up which I'm sure will capture summer days (har har) perfectly Fredde le Grand, Knife Party, Kimbra, The Chemical Brothers, Mark Ronson, M.I.A, Disclosure, Icona Pop and festival favourites Stafford Brothers, Timmy Trumpet will be back in action.  Get your neons and dancing shoes on for this one people!

If this song doesn't take you back to circa 2005/2006 i don't know what will...

7. All these other gigs!

Check out your local gig guide for more info :)

September

Parklife (Sydney, Melbourne, Brisbane, Adelaide, Perth)

Counter Revolution (Sydney, Melbourne, Brisbane)

Village Fair (Sydney)
October
Jazz in the Vines (Hunter Valley, NSW)

Manly Jazz Festival (Sydney)

Stonefest (Canberra)

Rewind (Kembla Grange, NSW)

The Boroughs (Perth, Adelaide, Melbourne, Brisbane, Sydney)

Counter Revolution (Adelaide, Perth)

Fat As Butter (Newcastle)

November

Queenscliff Music Festival (Melbourne)

Shine On (Melbourne)

Foreshore (Canberra)

Stereosonic (Sydney, Perth)

Blues at Bridgetown (Bridgetown, WA)

Harvest Festival (Melbourne, Sydney, Brisbane)

December


Falls Festival (Melbourne, Hobart)

Meredith Music Festival (Melbourne)

Stereosonic (Melbourne, Adelaide, Brisbane)

Peats Ridge (Glenworth Valley, NSW)

Pyramid Rock Festival (Melbourne)

Homebake (Sydney)

Woodford Folk Festival (Brisbane)

Good Vibrations (2012) (Sydney, Melbourne, Brisbane)


January

Big Day Out (Melbourne, Sydney, Brisbane, Adelaide, Perth)

Southbound (Perth)

Rainbow Serpent Festival (Melbourne)

Summafieldayze (Gold Coast)

Summadayze (Melbourne, Adelaide, Perth)

Soundscape Festival (Hobart)

Tamworth Country Music Festival (Tamworth, NSW)

St Jerome's Laneway Festival (Brisbane)

Thredbo Blues Festival (Thredbo, Victoria)

February

St Jerome's Laneway Festival (Melbourne, Sydney, Adelaide, Perth)

Riverboats Music Festival (Vic/ NSW - Murray River)

A Day on the Green (vineyard-based events - Victoria, NSW)

National Festival of Australian Blues Music (Sydney)

Soundwave Festival (Brisbane, Sydney, Melbourne, Adelaide, Perth)

Earth Freq (Sydney)

Between the Bays (Melbourne, Mornington Peninsula)

Clarence Jazz Festival (Hobart)

March

Future Music Festival (Brisbane, Perth, Sydney, Melbourne, Adelaide)

MS Fest (Hobart)
Soundwave Festival (Melbourne, Adelaide, Perth)

Corinbank Festival (Canberra)

Nannup Music Festival (Nannup, WA)

Port Fairy Folk Festival (Port Fairy, Vic)

Brunswick Music Festival (Melbourne)

love ran xo

QandA with ... EGO

The best part about seeing your favourite DJ live is hearing for yourself their take on mixes and their interpretation of songs and beats - there's nothing like live exposure to these audio magicians who bless our ears with their skills and talent.  But why should the entertainment stop at one sense?

Ego takes this challenge head on, creating visual - audio treats for music and pop-culture lovers alike.  Having worked and performed as one half of the duo ' Nice and Ego, ' Ego is now working on his craft solo.  With a  video mixtape scheduled to drop very soon, EGO talks influences, methods and the crazy amount of time that goes into preparing for a live show.



RTM: What is the first thing you want people to know about DJ Ego?

E: That I'm not just a DJ, I perform with video too, some people call it AV DJing, some call it video DJing. But i basically play videos and music at the same time.

RTM: What can people expect at one of your live shows?

E: A good time. Plus something really different to anything they've seen before, I splice movie samples, film clips, youtube memes and other visuals together with party tunes - it's

RTM: You've just wrapped up doing live shows as one half of Nice and Ego -including a visual audio spot at Splendour in a the Grass in July - how has it been?  Are you exhausted?*

E: Yeah touring was rad, every show was a blast but yeah Splendour was off the map, that's the first time I've played a stage like that, it was a total trip and the response was awesome. But yeah I've been knackered, though I've just taken a month off performing and been in the studio putting together a video mixtape and some fresh content for the solo shows so feeling refreshed and ready to hit it again.

RTM: How did you first get into doing Visual Audio projects?

E: Mr Nice introduced me to it, I've been DJing for years but I'm also a video producer so it was a perfect fit. We ran a couple of AV nights here in Melbourne for a while which were consistently awesome parties so we decided to take the show on the road.

Check out more of Ego's track on Soundcloud

RTM: Audio Visual DJing seems very much like the "chicken and the egg" conundrum; i.e. which comes first - ideas for the videos or ideas for the music?

E: Yeah totally, basically I get my ideas any way they come - if its a song that conjures up a solid visual then I go hunting for that visual sample, or if its a movie or other that I want to sample then I try and find a song that fits with the sample. But its most often music first, video second. Sometimes the connections are quite literal, sometimes they're contextual, sometimes it's just the vibe. But I make an effort now of sitting on an idea for a bit before barrelling into it, often a lot of good ideas don't really work on the dancefloor, so I stand back and assess how it might work into my whole DJ set.

RTM: How long does it take to prepare for a live show?

E: Forever. Seriously. Every song needs to have a visual treatment, sometimes that can take a few hours to whip up but more often it takes me weeks of digging for the right sample and playing around with ideas before then editing it together. There are bits of my set which are only say 2 minutes long but it took me seriously two to three weeks of work to put together. It's kind of dumb.

EGO's video mix tape is just around the corner

RTM: When mixing, is there a certain method or formula you follow?

E: I have a lot of favourite mixes, tracks which just sit really well together so I always have them up my sleeve but just try and bounce to whatever the crowd are vibing, though like I say, when every track takes forever to make visuals for it's harder to be impromptu doing an AV show than it is doing just an audio set.

RTM: Dance, Electric, D&B and Dubsteb have been very popular in mainstream markets recently - which DJs stand out to you?

E: There is so much awesome music being made, it's almost impossible to keep up with who is doing what anymore, there are rad producers popping up from everywhere. I guess for me guys like Diplo and A-trak who have stood the test of time and continued to be at the cutting edge of music and continually redefine dance music easily top my list. I love DJs who add their own spin to things, it's one thing to play all those popular bass genres and play them well but its another thing to sound original.

RTM: What genres and/or artists do you draw inspiration from?

E: I get a lot of my inspiration from local, Australian, guys who are pushing the envelope, guys like Cutloose, Sampology and the Surecut Kids. I try and listen to everything though, be on top of all genres and styles, I listen to a lot of podcasts to find out what's getting played in clubs overseas, as well as local radio to stay up with what's getting played here.

RTM: This year Nice and Ego mixed up Triple J's Hottest 100 which the people loved and ended up being aired on Triple J - do you have any picks for who might make the Hottest 100 in 2013?

E: It's often tough to pick, a lot of the songs I'd like to make it don't and songs which are huge at the start of the year lose popularity by the time the poll comes around. I imagine Flume will be well placed, he's just blown up which is awesome. Major Lazer's Get Free has been a huge anthem too. Grimes, Alt-J, Frank Ocean hopefully, Totally Enormous Extinct Dinosaurs, The Presets are home town heroes. It's funny, before doing that mashup we kind of mapped out what we thought would be in it to be ready to get busy on it once it got announced, and we were pretty far off with some of our predictions!

RTM: When can we catch next catch Ego?

E: Hopefully I'll be hitting the road again soon. Once I release my video mixtape I'll no doubt be ready to get the hell away from my studio and back out performing.

Check out Ego on Facebook  or connect on Twitter

www.watchyourego.com