Showing posts with label concert. Show all posts
Showing posts with label concert. Show all posts

Thursday, 31 January 2013

Big Day Out 2013 - Back, Bigger and Better

Last year it was easy to rip into what some may call Australia's "first music festival", the Big Day Out.  From headlining acts pulling out weeks before scheduled concerts and stages being replaced by skate ramps, for many it appeared to be the beginning of the end of this much loved celebration of music. 

Vampire Weekend were one of the first
confirmed acts of 2013's lined up

But prayers were answered, complaining blogs were read and Ken West, one of the key organisers of the BDO promised that in 2013 the original music festival would be back to its former glory.  Early leaked line ups had social media commentators skeptical at first but it wasn't long until acts including major names The Killers, Yeah Yeah Yeahs, Vampire Weekend and The Red Hot Chili Peppers were confirmed as headliners for 2013s tour. 

Whilst Sydney experience it's hottest day ever on record for the Big Day Out at a whopping 46.5 degree peak, this reviewer hit the Adelaide Show Grounds for the first time in a few years, to see if the Adelaide BDO could compare to the big guns along the east coast.

The Friday before the Australia Day long weekend certainly set the tone for the festival with festival goers either partying hard or taking the opportunity to relax and soak up the sun and some tunes.  With the main stages offering well known acts throughout the day, many found a nice patch of grass early and settled in for the afternoon. 

Grinspoon were one of the first acts on the orange stage and with patriotism and nostalgia in full flight, Phil and the guys had the crowds moving in no time to their rock and rolls melodies - as with many bands, showcasing some of their new work - as well as having crowds belt out the classics together, flawlessly playing "chemical heart" and "no reason" amongst many.  As regulars of the Big Day Out it must be handed to Grinspoon - the energy was high and despite being one of the earlier acts in the day, this translated to the crowd.  Once Grinspoon were done festival goers wanted more.


Of course, the fantastic thing about music festivals like the Big Day Out is the number of stages showcasing both local and international talents.  One can simply stroll up to a stage and immediately be educated in indie rock, dubstep or dance, hip hop, reggae or blues.  But whilst the genres vary, the musicianship always remain quality.  Friends of the RTM Full Tote Odds featured on the Red Stage, whilst international Comedian/Up-and-coming Hip Hop act Childish Gambino took his flavour to the Converse Essential Stage, playing with a live band featuring one bad ass violinist.  Not bad at all Childish, not bad at all. 

Karen O of the Yeah Yeah Yeahs
 took no prisoners
Band of Horses were the smooth cats of the day on the main stages, entertaining the substantially smaller crowd that hung around for their set.  Regardless to this they were not disheartened interacting with the audience and taking the opportunity to showcase their talents across their broad range of bluesy instruments.  The crowds we however present for Vampire Weekend and they certainly got the crowd moving.  It seemed even those who weren't familiar with Vampire Weekend (yes - there were some who had emerged from their rocks) couldn't resist the urge to run around in circles during songs like A-Punk and their breakthrough hit Cousins.

Mainstage antics continued with the Yeah Yeah Yeahs bringing down the house - Karen O's insane voice proving that their is room or real rock chicks in this day and age.  The dirty gritty deep pitch Karen creates works perfectly with the instruments in the band contributing to the overall finesse of the band.  Only days after their new album cover art caused a stir online, the band showed no signs of moving backward and reminded everyone why they were headliners for the 2013 Big Day Out.

Crowds gathered together for The Killers, who were set to perform immediately before The Red Hot Chili Peppers.  While the girls were swooning over Brandon Flowers and his pearly whites, The Killers showcased every song they were known for and did so effortlessly.  With fireworks and confetti guns, festival performances don't get much more spectacular than this.  As someone who remembers when The Killers first emerged, there was something quite satisfying about seeing them perform as band that had truly mastered their craft.  

Finally, the Red Hot Chili Peppers hit the stage and if The Killers had mastered their craft, the RHCP had created a whole new level for their own.  Seeing the Chili Peppers was a personal treat; Chad Smith has been an idol of mine from a very young age, which was emphasized by how old all the members of the band looked.  Looks aside the RHCPs smashed our their set, with riffs, grooves and solos in between to demonstrate what years of playing music can lead, inspire and allow you to create.  The sing alongs were a plenty - anyone who has heard Triple J's live recording of Under the Bridge will know that almost all Australians know (almost) all the lyrics to this and almost all other Chili Pepper songs.



The Big Day Out was exactly that, and I forgive you, event organizers for last years almost disaster.  The festival seemed to have been reminded of its roots and what real musicianship and talent is.  However whether this is a one off or a promise that will be maintained is only something time can tell.  In the meantime we have a whole year of festivals coming our way so stay tuned for all you're festival updates right here on Ran Type Music.




Monday, 5 November 2012

Gig Review: The Black Keys

The Black Keys

El Camino Tour

Adelaide Entertainment Center

Tuesday, October 30



Since 'Lonely Boy' went viral across the globe, The Black Keys have become this year's face of Rock and Roll.









It was refreshing to see the Adelaide Entertainment Centre stripped down for such a popular music act; it was nothing but the crowd and Dan and Patrick - more commonly known of course as The Black Keys.  Much similar to Mumford and Sons, the set was simple lighting; an indication of where music is at the moment and how you can tell the difference between a concert and performance. 


The Black Keys - AEC (source: AdelaideNow)
Opening their set with the track that all fans of the hit HBO series "Tru Blood" would love, "Howlin' for you," The Black Keys set the tone  early on.  Dirty, grungy, sexy rock had Adelaide howling for The Black Keys.  After playing a few songs with accompaniments, Dan and Patrick took to the stage -  just the two of them, -  taking the audience back in time, playing a number of old songs, before bringing back the band to play out their most recent hits 'Lonely Boy' and 'Gold on the Ceiling.'

The level of energy in the room was inescapable and whilst The Black Keys had a "lets-get-on-with-it" attitude to the concert, it wasn't insulting by any means; the crowd couldn't agree more - they were there to hear the music!  Although admittedly at times the instrumentals seemed to be arguing over tempo, this was always quickly adjusted, and the music was so good no one really gave a shit anyway.   It's safe to say any errors that were made that may have not gone unnoticed, where immediately forgotten when the worlds biggest discoball dropped for the boys' encore.  (Just search #discoball and #theblackkeys on instragram to see.)

There's something raw about The Black Keys music and seeing them perform live on stage amplified how exactly how cool they are.  The Black Keys may have cracked the mainstream music market but they are by no means a mainstream band, making it clear they are sticking by their roots and that they understand their what their fans love.

To find out more about The Black Keys you can look them up on facebook, twitter or visit their website for gig dates - www.theblackkeys.com



The end.

Wednesday, 17 October 2012

Gig Review: Mumford and Sons

Mumford and Sons
Mumford and Sons at the Adelaide Entertainment Centre

Monday October 15th

Adelaide Entertainment Centre, Adelaide











Mondays don't get much better than this.  Willy Mason, Edward Sharpe and Mumford and Sons; all playing individually as well as together.  The Adelaide Entertainment Center has significantly improved in looks and atmosphere since recent renovations.   The concert featuring these talented musicians took place in the newest staging addition to the venue, the Adelaide Entertainment Center theatre - a room off set from the original venue, providing an intimate vibe felt by viewers and performers alike.








The support acts were welcomed by audience with generous applause and cheering non-stop throughout the evening.   Edward Sharpe and the Magnetic Zeros were nothing short of incredible.  With two drum kits, a brass trio, a fiddle and every other instrument under the sun - the band were fun, entertaining and just a cool bunch of kids.  Their rendition of "Home" was stretched out and pleased the groupies who had been waiting all set for the hit.  At one stage during this support act,  Marcus Mumford took to the stage to perform Edward Sharpe and his ensemble, giving the crowd a sneak preview of what was to come. 

The boys wooed the crowd, performing one song with
no technology at all.
When Mumford and Sons took to the stage their set came alive.  It is amazing what four talented young men from the UK can bring to a live performance and it's safe to say there was no room left for disappointment.

Playing tracks from their breakout album "Sigh No More (2010)" it was "Little Lion Man" that saw the room burst into light leaving the audience in awe in a truly magical moment.  The music, the lyrics and the crowd contributed to making that moment one that trumps other memories from the night.


The acoustics of the venue also allowed the handsome foursome to perform acoustically; beautiful vocal harmonies silencing the crowd.

The lighting completed the magical set
Also showcasing songs from their recent album "Babel (2012)," Marcus, Ben, 'Country' and Ted displayed exactly how talented and diverse they each are performing songs that had a bit more edge and a fuller sound.  It wasn't too long ago that a drum kit was foreign to the band, but oh how this has changed with the set ending in a jam reminiscent of The Beautiful Girls' live sets; a bunch of dudes just rocking out. 


The connection between Mumford and Sons and the Adelaide audience was truly something special and the reception and how humbling it was for the band.  This concert will stick with me for a long time.

Follow Mumford and Sons on twitter, or find them on Facebook.

Check out up coming gigs at the Adelaide Entertainment Center here.