Soundtrack Review: DJANGO UNCHAINED

Is it too soon to predict what the greatest film of 2013 is?  Those who are answer yes may just not have seen  Quentin Tarantino's latest masterpiece, Django Unchained.

Leonardo Dicaprio is both charming and
terrifying as Calvin Candie

The film is, in a classic Tarantino style, is a mashup of a genres and the soundtrack is no different.  From heart wrenching spanish ballads, to deep hip hop,  to one bad ass James Brown track featuring 2Pac, the music hits the nail on the head in every scene drawing the viewer into Django's story, his past and his revenge.

With western themes appropriately featured throughout the soundtrack, the collaboration of genres and languages means that the music is always keeping you on your toes, wanting to know what's going to be next, or rather who?

"Freedom" by Anthony Hamilton and Elaya Boynton encapsulates Django's position at the beginning of the film.  Constant repetition lyrically paired with rhythmic percussion that reflects the sound of stomping, - heavy chained steps - matched with deep male backing vocals which could almost be mistaken for groans, takes you back to the 1850's and the struggle that so many slaves  faced every day.

A particularly interesting and entertaining attribute of the DJANGO UNCHAINED soundtrack album are the dialogue clips featured between the emotive songs, telling the story as it would be told if you were watching the movie, adding emphasis and purpose to these already powerful tracks. 

John Legend features on the album performing "Who did that to you?"  A deep track driven by an organ in a slight twist from Legend's traditional instrument of choice.  Django's story is tale of revenge and this song in particular see's two different sides of this tale.  Anyone who has seen the Django Unchained trailer (below) will know that there is a somewhat romantic element to the story - without giving too much away, Django is searching for his wife.  In Legend's track we are lead to wonder whether this song is directed towards Django's love or Django himself.

The standout track (and there's always one) is the James Brown and 2Pac mash up "Unchained (The Payback/Untouchable)".  When this track comes on in the film,  Jamie Foxx has never looked so good.  Sampling, what will be in years to come, a stand out one liner from all of Tarantino's films, "i like the way you die, boy," these horns and quick spit lyrics will have you feeling your own satisfaction's from Django's revenge.  It's so dirty.  Dirty satisfaction.

Unsurprisingly, the composer behind the Django Unchained theme has worked with Tarantino before on both Kill Bill films.  Teaming up with Robb Boyd, behind the soundtrack listing of action films such as the X men and Fast and Furious series joined by Mary Ramos - who had also worked on previous Taratino films including Pulp Fiction and Inglorious Basterds - it's no surprise that this soundtrack has come out as fantastic as it has. 

If you are yet to see this movie I strongly encourage you get along asap,  and after you walk out, reflect on how the music contributed to the story, and think about the last time music has done that in a movie for you. 

Django Unchained is currently screening throughout Australia. 

Django Unchained Soundtrack - Track Listing

1. Winged
2. Django (main Theme) – Luis Bacalov, Rocky Roberts
3. The Braying Mule – Ennio Morricone
4. In That Case, Django, After You…
5. Lo Chiamavano King (his Name Is King) – Luis Bacalov, Edda Dell’orso
6. Freedom – Anthony Hamilton & Elayna Boynton
7. Five-thousand-dollar Nigga’s And Gummy Mouth Bitches
8. La Corsa (2nd Version) – Luis Bacalov
9. Sneaky Schultz And The Demise Of Sharp
10. I Got A Name – Jim Croce
11. I Giorni Dell’ira – Riz Ortolani
12. 100 Black Coffins – Rick Ross
13. Nicaragua – Jerry Goldsmith Featuring Pat Metheny
14. Hildi’s Hot Box
15. Sister Sara’s Theme – Ennio Morricone
16. Ancora Qui – Ennio Morricone And Elisa
17. Unchained (the Payback/untouchable) – James Brown And 2pac
18. Who Did That To You? – John Legend
19. Too Old To Die Young – Brother Dege
20. Stephen The Poker Player
21. Un Monumento – Ennio Morricone
22. Six Shots Two Guns
23. Trinity (titoli) – Annibale E I Cantori Modern

Big Day Out 2013 - Back, Bigger and Better

Last year it was easy to rip into what some may call Australia's "first music festival", the Big Day Out.  From headlining acts pulling out weeks before scheduled concerts and stages being replaced by skate ramps, for many it appeared to be the beginning of the end of this much loved celebration of music. 

Vampire Weekend were one of the first
confirmed acts of 2013's lined up

But prayers were answered, complaining blogs were read and Ken West, one of the key organisers of the BDO promised that in 2013 the original music festival would be back to its former glory.  Early leaked line ups had social media commentators skeptical at first but it wasn't long until acts including major names The Killers, Yeah Yeah Yeahs, Vampire Weekend and The Red Hot Chili Peppers were confirmed as headliners for 2013s tour. 

Whilst Sydney experience it's hottest day ever on record for the Big Day Out at a whopping 46.5 degree peak, this reviewer hit the Adelaide Show Grounds for the first time in a few years, to see if the Adelaide BDO could compare to the big guns along the east coast.

The Friday before the Australia Day long weekend certainly set the tone for the festival with festival goers either partying hard or taking the opportunity to relax and soak up the sun and some tunes.  With the main stages offering well known acts throughout the day, many found a nice patch of grass early and settled in for the afternoon. 

Grinspoon were one of the first acts on the orange stage and with patriotism and nostalgia in full flight, Phil and the guys had the crowds moving in no time to their rock and rolls melodies - as with many bands, showcasing some of their new work - as well as having crowds belt out the classics together, flawlessly playing "chemical heart" and "no reason" amongst many.  As regulars of the Big Day Out it must be handed to Grinspoon - the energy was high and despite being one of the earlier acts in the day, this translated to the crowd.  Once Grinspoon were done festival goers wanted more.

Of course, the fantastic thing about music festivals like the Big Day Out is the number of stages showcasing both local and international talents.  One can simply stroll up to a stage and immediately be educated in indie rock, dubstep or dance, hip hop, reggae or blues.  But whilst the genres vary, the musicianship always remain quality.  Friends of the RTM Full Tote Odds featured on the Red Stage, whilst international Comedian/Up-and-coming Hip Hop act Childish Gambino took his flavour to the Converse Essential Stage, playing with a live band featuring one bad ass violinist.  Not bad at all Childish, not bad at all. 

Karen O of the Yeah Yeah Yeahs
 took no prisoners

Band of Horses were the smooth cats of the day on the main stages, entertaining the substantially smaller crowd that hung around for their set.  Regardless to this they were not disheartened interacting with the audience and taking the opportunity to showcase their talents across their broad range of bluesy instruments.  The crowds we however present for Vampire Weekend and they certainly got the crowd moving.  It seemed even those who weren't familiar with Vampire Weekend (yes - there were some who had emerged from their rocks) couldn't resist the urge to run around in circles during songs like A-Punk and their breakthrough hit Cousins.

Mainstage antics continued with the Yeah Yeah Yeahs bringing down the house - Karen O's insane voice proving that their is room or real rock chicks in this day and age.  The dirty gritty deep pitch Karen creates works perfectly with the instruments in the band contributing to the overall finesse of the band.  Only days after their new album cover art caused a stir online, the band showed no signs of moving backward and reminded everyone why they were headliners for the 2013 Big Day Out.

Crowds gathered together for The Killers, who were set to perform immediately before The Red Hot Chili Peppers.  While the girls were swooning over Brandon Flowers and his pearly whites, The Killers showcased every song they were known for and did so effortlessly.  With fireworks and confetti guns, festival performances don't get much more spectacular than this.  As someone who remembers when The Killers first emerged, there was something quite satisfying about seeing them perform as band that had truly mastered their craft.  

Finally, the Red Hot Chili Peppers hit the stage and if The Killers had mastered their craft, the RHCP had created a whole new level for their own.  Seeing the Chili Peppers was a personal treat; Chad Smith has been an idol of mine from a very young age, which was emphasized by how old all the members of the band looked.  Looks aside the RHCPs smashed our their set, with riffs, grooves and solos in between to demonstrate what years of playing music can lead, inspire and allow you to create.  The sing alongs were a plenty - anyone who has heard Triple J's live recording of Under the Bridge will know that almost all Australians know (almost) all the lyrics to this and almost all other Chili Pepper songs.

The Big Day Out was exactly that, and I forgive you, event organizers for last years almost disaster.  The festival seemed to have been reminded of its roots and what real musicianship and talent is.  However whether this is a one off or a promise that will be maintained is only something time can tell.  In the meantime we have a whole year of festivals coming our way so stay tuned for all you're festival updates right here on Ran Type Music.

QandA with...Full Tote Odds

Full Tote Odds

Adelaide has become synonymous with the genre of music known as "Aussie Hip Hop," since the Hilltop Hoods made it big on the commercial scene with their hit single "Nose Bleed Section" (2003.) 

Since then, more hip hop artists have come to surface and the genre has been prolific; now a common feature on music festival line ups, and with sharp lyrics and catchy beats, are often the soundtrack to summer for Australian youths every where.

Now, a new group from the Adelaide Hills are making their own impact on the music scene. The four piece group, "Full Tote Odds" are regulars on radio stations both local and national and are showing no signs of slowing down any time soon. With the launch of their album "Place Your Bets" happening in a number of days, Levelheaded, Slats, Eslev, Ross Read and DJ Hacksaw took some time out to talk about their craft.

RTM: How did  Levelheaded, Slats, Eslev, Ross Read and DJ Hacksaw all get together to create Full Tote Odds?

FTO: Levelheaded, Slats and Hacksaw started Train Of Thought in 2000. They released a Demo in 02 and a full length LP Moving Heads in 04. Eslev and Mix Zagger joined in 09 and FTO was born.

RTM: Is there a story behind the groups name?

FTO: It's mainly about taking a gamble in music. We have invested a lot of time (10 years) and money into this art and we just hope it pays off... Kinda like gambling.

RTM: Aussie Hip Hop has blown up in the last decade.  What do you think it takes to stand out as an aussie hip hop artist?

FTO: Production quality. A lot of solid MC's aren't getting the recognition they deserve because their music is not at the level it needs to be to compete on the national stage.

RTM: How would you describe Full Tote Odds' sound?

FTO: Soulful, funky Hip Hop with a twist of boom bap.

RTM: Do Full Tote Odds' follow any formulas when coming up with new tracks?

FTO: Not really, every track is so different, they all come together randomly. The only formula is to continue working on a track until we love it. 

RTM: To someone who had never heard of 'aussie' hip hop, what would you say is its' core? How would you define it?

FTO: The core is truth. You need to be honest and tell it how it is...

RTM: What are the boys from Full Tote Odds' most looking forward to with the release of 'Place Your Bets'?

FTO: Getting out on tour.

RTM: Full Tote Odds are scheduled to tour early 2013 - what can people expect from your live shows?

FTO: Expect a big sound. We have 3 mcs, 2 singers, a DJ and a sound engineer ready to blow the speakers. We are headlining schoolies festival on the 18th and playing Hombake festival on the 8th December, followed by a full national tour in Feb/March 2013.

RTM: Where do you hope to see FTO at this time next year?

FTO: Touring extensively and punching out a new album.

Full Tote Odds are:

Levelheaded

Slats

Eslev

Ross Read

and DJ Hacksaw

Connect with Full Tote Odds on Facebook, Twitter and Triple J Unearthed

Gig Review: The Black Keys

The Black Keys

El Camino Tour

Adelaide Entertainment Center

Tuesday, October 30

Since 'Lonely Boy' went viral across the globe, The Black Keys have become this year's face of Rock and Roll.

It was refreshing to see the Adelaide Entertainment Centre stripped down for such a popular music act; it was nothing but the crowd and Dan and Patrick - more commonly known of course as The Black Keys.  Much similar to Mumford and Sons, the set was simple lighting; an indication of where music is at the moment and how you can tell the difference between a concert and performance. 

The Black Keys - AEC (source: AdelaideNow)

Opening their set with the track that all fans of the hit HBO series "Tru Blood" would love, "Howlin' for you," The Black Keys set the tone  early on.  Dirty, grungy, sexy rock had Adelaide howling for The Black Keys.  After playing a few songs with accompaniments, Dan and Patrick took to the stage -  just the two of them, -  taking the audience back in time, playing a number of old songs, before bringing back the band to play out their most recent hits 'Lonely Boy' and 'Gold on the Ceiling.'

The level of energy in the room was inescapable and whilst The Black Keys had a "lets-get-on-with-it" attitude to the concert, it wasn't insulting by any means; the crowd couldn't agree more - they were there to hear the music!  Although admittedly at times the instrumentals seemed to be arguing over tempo, this was always quickly adjusted, and the music was so good no one really gave a shit anyway.   It's safe to say any errors that were made that may have not gone unnoticed, where immediately forgotten when the worlds biggest discoball dropped for the boys' encore.  (Just search #discoball and #theblackkeys on instragram to see.)

There's something raw about The Black Keys music and seeing them perform live on stage amplified how exactly how cool they are.  The Black Keys may have cracked the mainstream music market but they are by no means a mainstream band, making it clear they are sticking by their roots and that they understand their what their fans love.

To find out more about The Black Keys you can look them up on facebook, twitter or visit their website for gig dates - www.theblackkeys.com

The end.

Gig Review: Mumford and Sons

Mumford and Sons

Mumford and Sons at the Adelaide Entertainment Centre

Monday October 15th

Adelaide Entertainment Centre, Adelaide

Mondays don't get much better than this.  Willy Mason, Edward Sharpe and Mumford and Sons; all playing individually as well as together.  The Adelaide Entertainment Center has significantly improved in looks and atmosphere since recent renovations.   The concert featuring these talented musicians took place in the newest staging addition to the venue, the Adelaide Entertainment Center theatre - a room off set from the original venue, providing an intimate vibe felt by viewers and performers alike.

The support acts were welcomed by audience with generous applause and cheering non-stop throughout the evening.   Edward Sharpe and the Magnetic Zeros were nothing short of incredible.  With two drum kits, a brass trio, a fiddle and every other instrument under the sun - the band were fun, entertaining and just a cool bunch of kids.  Their rendition of "Home" was stretched out and pleased the groupies who had been waiting all set for the hit.  At one stage during this support act,  Marcus Mumford took to the stage to perform Edward Sharpe and his ensemble, giving the crowd a sneak preview of what was to come. 

The boys wooed the crowd, performing one song with
no technology at all.

When Mumford and Sons took to the stage their set came alive.  It is amazing what four talented young men from the UK can bring to a live performance and it's safe to say there was no room left for disappointment.

Playing tracks from their breakout album "Sigh No More (2010)" it was "Little Lion Man" that saw the room burst into light leaving the audience in awe in a truly magical moment.  The music, the lyrics and the crowd contributed to making that moment one that trumps other memories from the night.


The acoustics of the venue also allowed the handsome foursome to perform acoustically; beautiful vocal harmonies silencing the crowd.

The lighting completed the magical set

Also showcasing songs from their recent album "Babel (2012)," Marcus, Ben, 'Country' and Ted displayed exactly how talented and diverse they each are performing songs that had a bit more edge and a fuller sound.  It wasn't too long ago that a drum kit was foreign to the band, but oh how this has changed with the set ending in a jam reminiscent of The Beautiful Girls' live sets; a bunch of dudes just rocking out. 

The connection between Mumford and Sons and the Adelaide audience was truly something special and the reception and how humbling it was for the band.  This concert will stick with me for a long time.

Follow Mumford and Sons on twitter, or find them on Facebook.

Check out up coming gigs at the Adelaide Entertainment Center here.

7 reasons to get excited for summer

The sun is shining, the line ups are out and I for one can not WAIT to get amongst it this summer.  "It" being the amazing showcase of musicans that will be featuring in festivals throughout our beautiful, sweaty, hot, amazing Australian summer.

The artists traveling down under for this summers' festivals are of the highest calibre, not to mention the incredible homegrown talents that have launched themselves onto the music scene in the last 12 months.  Festivals seem to be popping up left right and centre across the states and what a fantastic opportunity for everyone to see their favourite bands and artists as well as expose themselves to some more.  In case you live under a rock and are unsure of what music festivals I am referring to - Behold!

7 Reasons to get EXCITED for summer!

1. Falls Music Festival
www.fallsfestival.com.au/

Tickets have been sold and received but do not let this dishearten you! There are always genuine people having to sell their tickets for whatever reason.  A friend of a friend - you know the drill! But if someone seems dodgy on ebay - trust me they probably are! You can always try crashing as well - it's not like you'll get lost in the shrubbery or anything! (in case you can't remember; it happened - don't do it)  Angus Stone, Ball Park Music, Bombay Bicycle Club, Boy and Bear, Django Django. Jinja Safari, Lisa Mitchell, SBTRKT, The Hives and The Vaccines are a few names who will be featuring at this years wonderful New Years celebration festival.  A word to the organisers - please sort out the countdown this year.  or just someone to do it.   Falls Music Festival is set to be amazing once again with many of the bands already aurally pleasuring festival goers throughout 2012 and receiving rave reviews. 

 

2. Big Day Out
www.bigdayout.com

Returning to it's former glory, the Big Day Out has audienes excited once more after many were disappointed with the line up choices, with drawls and cut downs of last years music festival.  Boastin international acts such as Red Hot Chili Peppers, Vampire Weekend, Bloody Beetroots and The Killers this year's festival will struggle to disappoint.  Of course there will be Australian bands present with local acts featuring in each of the festivals cities.  Grinspoon, also be featuring as part the festival, will be an Aussie band to keep your eye on - the guys will be showcasing songs from their new album "Black Rabbits."

3. Soundwave
www.soundwavefestival.com.au

This Soundwave line up makes me both laugh and cry.  I loved The Offspring.  I used to listen to them on my discman when I was in Year 7.  I feel the same way about them touring as I do the Backstreet Boys with New Kids On The Block.  I was listening to them around that time too..

Metallica, Blink 182, Garbage, Paramore, The Amity Affliction, Cypress Hill and Tomahawk are a few of the other names that put together this huge Soundwave line up.  I'm sending resident reviewer Nat Brunoli out to this one on RTMs behalf (aka i couldn't afford a ticket) so keep an eye out and say hi!

Tickets are still available so if you're into loud music, head banging and gimp masks, hop to the website and get on it.

4. St. Jermone's Laneway Festival
www.lanewayfestival.com.au

With the pre-sale beginning today, Laneway Festival hits the mark when it comes it chilled our indie pop music featuring the talents of acts that have been prolific this year including Alpine, Alt-J, Bat for Lashes, Chet Faker, The Rubens and Yeasayer.  General tickets are on sale on the 5th of October - so don't miss out!

 

5. Stereosonic
www.stereosonic.com.au

Do you think Calvin Harris is the new David Guetta?  Admittedly I heard of Calvin first, but he's been doing so many collaborations lately it's only a matter of time before Flo Rida ft. Calvin Harris or vise versa hits the charts...if it happens you know you heard it first here.  That said Calvin certainly has earnt himself the spot on headliner at this years Stereosonic Music festival, Featuring alongside names such as Tiesto, Avicii, Example, Major Lazer - the name behind this years smash hit "Get Free" and also that popular beat from Pon De Floor you may also recognise in Beyonce's "Run The World".  Also gracing festival heads are Laidback Luke, Martin Solveig, Diplo, Flux Pavilion, Bingo Players (who better to drop Rattle then these guys themselves), Tommy Trash and Beni.

6. Summadayze
www.futureentertainment.com.au/summadayze

The same group that put together Parklife have put together this stella line up which I'm sure will capture summer days (har har) perfectly Fredde le Grand, Knife Party, Kimbra, The Chemical Brothers, Mark Ronson, M.I.A, Disclosure, Icona Pop and festival favourites Stafford Brothers, Timmy Trumpet will be back in action.  Get your neons and dancing shoes on for this one people!

If this song doesn't take you back to circa 2005/2006 i don't know what will...

7. All these other gigs!

Check out your local gig guide for more info :)

September

Parklife (Sydney, Melbourne, Brisbane, Adelaide, Perth)

Counter Revolution (Sydney, Melbourne, Brisbane)

Village Fair (Sydney)
October
Jazz in the Vines (Hunter Valley, NSW)

Manly Jazz Festival (Sydney)

Stonefest (Canberra)

Rewind (Kembla Grange, NSW)

The Boroughs (Perth, Adelaide, Melbourne, Brisbane, Sydney)

Counter Revolution (Adelaide, Perth)

Fat As Butter (Newcastle)

November

Queenscliff Music Festival (Melbourne)

Shine On (Melbourne)

Foreshore (Canberra)

Stereosonic (Sydney, Perth)

Blues at Bridgetown (Bridgetown, WA)

Harvest Festival (Melbourne, Sydney, Brisbane)

December


Falls Festival (Melbourne, Hobart)

Meredith Music Festival (Melbourne)

Stereosonic (Melbourne, Adelaide, Brisbane)

Peats Ridge (Glenworth Valley, NSW)

Pyramid Rock Festival (Melbourne)

Homebake (Sydney)

Woodford Folk Festival (Brisbane)

Good Vibrations (2012) (Sydney, Melbourne, Brisbane)


January

Big Day Out (Melbourne, Sydney, Brisbane, Adelaide, Perth)

Southbound (Perth)

Rainbow Serpent Festival (Melbourne)

Summafieldayze (Gold Coast)

Summadayze (Melbourne, Adelaide, Perth)

Soundscape Festival (Hobart)

Tamworth Country Music Festival (Tamworth, NSW)

St Jerome's Laneway Festival (Brisbane)

Thredbo Blues Festival (Thredbo, Victoria)

February

St Jerome's Laneway Festival (Melbourne, Sydney, Adelaide, Perth)

Riverboats Music Festival (Vic/ NSW - Murray River)

A Day on the Green (vineyard-based events - Victoria, NSW)

National Festival of Australian Blues Music (Sydney)

Soundwave Festival (Brisbane, Sydney, Melbourne, Adelaide, Perth)

Earth Freq (Sydney)

Between the Bays (Melbourne, Mornington Peninsula)

Clarence Jazz Festival (Hobart)

March

Future Music Festival (Brisbane, Perth, Sydney, Melbourne, Adelaide)

MS Fest (Hobart)
Soundwave Festival (Melbourne, Adelaide, Perth)

Corinbank Festival (Canberra)

Nannup Music Festival (Nannup, WA)

Port Fairy Folk Festival (Port Fairy, Vic)

Brunswick Music Festival (Melbourne)

love ran xo

Alt-J (∆): An Awesome Wave.

Dreamy melodies, buzzing harmonies and heavy guitar riffs. Poetic lyrics and piano chords, ambient noise and that feeling in your chest from the bass, when you play it nice and loud.

Alt J's debut album "An Awesome Wave"
is on sale now.

Oh, and that voice.

Alt-J gives it to you hard. Their debut album, An Awesome Wave, is undeniably addictive – it’s the noticeable cool and frenetic, yet relaxed, energy of the album that does it to you.

The first release, Breezeblocks, lyrically punches you in the heart. It grabs at you and demands you feel it too. And you do. There’s no wonder they chose this as the virgin release. It’s a mix of everything this album is about.

Alt J (∆)'s debut single - Breezeblocks

Something Good takes you on a little wander through highs and lows. Twinkling notes leading you from verse to bridge to chorus and back again. It’s happily mellow. The interludes (there are three) help weave the story of an album laden with clever, tight, expressiveness – with or without words. Song after song, a stimulating, vivid picture is painted of whatever you need it to.

Fitzpleasure is a little heavier, a little more rock, and a little bit sexy. It’s littered with dirty crooning harmonies, building to an unmistakable climax of rhythm and motion. It drags you in. Before you know it, you’re pulling right into the perfect barrel of an awesome wave.

Paddle your heart out and get on it.






Follow Nat Brunoli on Twitter

Alt J (∆) are

Gwil - guitar/vocals 

Joe Newman - guitar/vocals

Gus Unger-Hamilton - keyboards 

Thom Green - drums

http://www.altjband.com

Gig Review: The Beautiful Girls

The Beautiful Girls

Thursday August 23, 2012

Last night as part of their 10 year anniversary tour, The Beautiful Girls took to the stage at the famous Adelaide venue "The Gov," giving fans, old and young alike a night to remember.

Seasoned professionals, the band was flawless, reminiscent of their recent set at Splendour in the Grass at Byron Bay.  It was a more relaxed environment, initially, despite the boys opting to not perform any tracks acoustically, admitting they had tried half and half in a previous gig and it was "shit."

The concept of a "shit" gig by TBGs seemed laughable as the show progressed, and Mat McHugh was flawless in all his stomping glory.  The unique vocals that fans had grown to love over the airwaves were brought to life on stage complimented by funky instrumentals and beats.

The Beautiful Girls did everything to keep the crowd right where they were.  They didn't save the most popular songs 'til last and chucked in a few sneaky covers here and there - not all picked up on by the crowd but appreciated none-the-less.  To finish off the set the guys broke it down in a way they only they know how and you could tell by the chemistry between them that this wasn't just a band - these guys were, and always will be, bros.

Although there were some members of the audience that had me pulling a face a little like this: 

get. one. step. closer.

the atmosphere in the room was certainly alive and the entire performance felt like a bigger climax than even 50 Shades of Grey could ever produce, with girls absolutely swooning at the bottom of the stage.

Overall the night was a treat.

4 out of 5 surfer beanies!

To check out when you can catch The Beautiful Girls on tour, head to their website.

Splendour Diaries: Day 3

Day 3: July 29, 2012

Day 3...the last day.. I don't even know where to begin. The icing on the cake that was Splendour in the Grass 2012.  The beautiful warm Byron Bay weather set the bitter sweet mood of what would be the final day of the biggest Australian winter music festival.  We made sure we arrived earlier this time to get the most out of final day.

Parachute Youth welcomed Splendourites into the venue, performing their fresh beats from the mix up tent - the first stage of three main stages that made the festival.  We cruised on past to the GW McLennan stage for the gorgeous Gossling ("YOU sing the woolies song!") who won us all over with her iddy biddy voice and musical talents.

We stayed at the stage to watch The Rubens set up for their show, while at the same time melting the hearts of every girl in the tent. Such gorgeous men!  When The Rubens began their set they were adamant that this was the largest audience they had ever played too and did not disappoint.  As if they had been playing together for years, the boys were flawless in their delivery.  There is something about the emotion in their vocals, particularly in "Lay it Down" and even in more upbeat songs such as "My Gun" that wins your heart over and sings to your soul.

After falling in love once again with The Rubens we were off to make friends with the cool kids of Splendour, Ball Park Music.  Getting the party at the Supertop started, BPM started off with their hit "I FLY" and treated fans to a couple of new hits as well as a cover of the classic Frankie Valli disco hit "Oh what a night".

San Cisco were super cute, Angus Stone brought his own forest to the stage and Blue King Brown reminded us of the power of music.

Next was Wolfmother, who brought rock and roll to the main tent, then The Kooks who played everyones favourite songs and then some.  A bit of Triple J House Party Host Nina Las Vegas was a delightful interlude and finally the day ended with Gossip and The Smashing Pumpkins.  Beth Ditto was so lovely and brought a new energy to the Mix Up Tent.  The Smashing Pumpkins set time surpassed Gossip's allowing everyone to have a chance to see their set which did not disappoint.

Overall Splendour was an amazing experience and I cannot even fathom having to go to work tomorrow. Thank you to Nat Brunoli for a wonderful weekend, thank you Byron Bay and thank you thank you Splendour in the Grass.  Until next time,

Ran xo

Splendour Diaries: Day 2

Day 2: July 28th, 2012

As the weekend continued, day 2 was nothing short of incredible, taking Splendour in the Grass 2012 to the next level.

I would just like to take some time out though to say if you ever do come to Byron Bay, don't eat at Bo's. The kitchen, service and restaurant manager are inefficient and cold.  The only thing that was enjoyable was my banana smoothie, and even that took 20 minutes (and is supposed to be cold anyway).  Don't do it kids!

Coconut in hand we strolled back into the festival venue shortly after 2:00, just in time to catch Luke Million drop his smash hit "Arnie" at the Mix Up Stage, getting Splendourites churning up the bark chip covered mud once again.

The Last Dinosaurs were on the main stage for their set and did not disappoint.  Highlighting the set was the band's cover of "Lady (hear me tonight)", which cheekily sampled Groovejets "if this ain't love".

Also on the main stage was english rock group Band of Skulls, who opened up their set with "Sweet Sour" setting the dirty slow rock mood for the next 50 or so minutes at the big top stage.

After chilling out at the back of Jinja Safari we wriggled our way to the front of the stage for what would be one of the best sets I have ever seen in my life, by The Beautiful Girls.  If ever anyone could make you trade in your air guitar for an air bass, it would be these guys. With the off beat strumming on guitar and funky drumming the band turned the mosh into a bop and the massive smiles on the band's faces let you know they were having just as good a time as you were.  "Periscopes" was performed beautifully with die hard fans singing along every lyric and as if it was a day for covers, the boys dropped in a bit of "Tainted Love" in "We're in Love".  The Girls finishes with an epic instrumental jam showcasing their talents and exactly how they've been around for so long.

Next up was DJ / "singer" Muscles, who although at first I doubted, turned up the beats at the mix up tents. After working up a sweat we continued to dance our way over for a bit of Tame Impala for a few mellow tracks before heading to see the princess of the festival, Lana Del Rey - along with about 7,000 other people.  Lana, performing with a single pianist on a white grand and tuxed up string quartet, glided around the stage in a wedding dress, with her mic in one hand and cigarette in the other, hopping off the stage to sing with "her people".  Despite previous reviews, Lana Del Rey sang like an angel, performing each of her tracks as heart broken as the next. Admittedly, in all her sorrow Lana's music would have been suited for earlier in the day, but it was probably a well deserved rest for most people's feet.

After Lana we meandered to Miike Snow who ended their set with one of my favourite songs, "Animal", which we continued to sing until Bloc Part took the stage.

There are few things more enjoyable in life then being surrounded with a group of great mates while rocking it out to one of the best rock bands around that you all know and love. As the covers continued, Kele did a sneaky sneaky at one point by singing the smash hit by Rihanna and Calvin Harris "we found love" before launching into one of their own.  Banquet was incredible, and by no means the song the band chose to finish on. 

Day 2 was amazing and I both can and cannot see today being able to top it.  Today, The Kooks, Gossip, Gossling, Ball Park Music, Fun. and festival headliner The Smashing Pumpkins...

This weekend's going too fast!

Ran xo

Splendour Diaries: Day 1

Day one: JULY 27th, 2012.

Ahhh the time was finally upon us! Excitement filled our veins as we walked across the Gold Coast tarmac, with many other festival goers, and breathed in the humid Queensland air. We had arrived and Splendour was only a rental car trip away.

We hopped into our Micra (affectionately named Misty) ready to go! It was me in passenger, Nat in the drivers seat and the open road ahead of us..."um Nat, can you drive manual?"...it was Nat in the passenger seat, me in the drivers, and the road to Byron Bay ahead of us!

So far the city of Byron Bay has been nothing but welcoming to festival goers. Shop fronts have wellies on display, ponchos available and shuttle busses available to the festival from town in every form, including a bathtub on wheels behind a gentlemen on a push bike.  The love for music is in the air and everyone is here to have a good time.
Whilst no SLRs are allowed within the venue, we eventually made it through ( thanks to the lovely festival worker Joe Contin) - small cameras and iPhone with instagram handy. Who needs SLRs when you have old mates hefe and low fi in your pocket anyway.  The sun was shining and the bass of the acts within was all that we cared about at this point in time.

First act of the day was Australian hip hop act Platnium Pen catching the eyes and ears of festival goers walking past. The boys were using classic beats from hip hop acts such as Snoop Dogg, Hilltop Hoods, Jurassic 5 and Kelis putting a new flavour on it with their own lyrics and attitude.  The boys were nice enough to give us a copy of their album - I smell our next interview for the blog!!

After realising that we were at the wrong stage for Chet Faker, we shuffled out way to the other side of the festival to catch the second half of the set by the man with the furry furry beard.  Taking his tracks to the next level with extended instrumental breaks, Chet was charming, clearly humbled by the massive crowd and sang to perfection.  Finishing with his own (well known) interpretation of "No Diggity", if you weren't a fan of Chet Faker before, you definitely would have been afterwards.

A gap in the afternoon meant a while to check out the other side of things that Splendour had to offer.  This included getting involved with the drums workshop help by Samba Bellista, a spot of shopping and tarot cards. It was at about this time where the weather turned around, realised (almost) everyone was gum boots and took it as a cue to make it rain. - no wait - hail??? For about 20 minutes there was nothing but stormy weather turning Splendour into sight which could have been easily confused for Glastonbury.  And although the rain did cease eventually, it set a muddy muddy scene for the rest of the day and night.

Other acts we caught throughout the day were AV show DJs Nice and Ego, the incredible Bertie Blackman, Gypsy and the Cat,  Hypnotic Brass Ensemble, Lanie Lane, which featured a surpise one off Nick Cave cover duet with Krum from Spiderbait (yes I have it recorded, stay tuned), The Shins, Kimbra and yes - Mr Jack White himself.

Kimbra was a particular highlight for me.  Freshly back in Australia after touring Europe with Foster the People, the little kiwi's performances and stage presence has come an incredibley long way since Falls Festival earlier this year.  Although having always been an amazing singer, Kimbra now has mastered crowd interaction, oozing confidence that was most noticeable in her band's new rendition of one of her first hits "settle down".

The entire festival was present for Jack White.  We perched ourselves up on the balcony of the festival's Strongbow Bar and listened to the seasoned rock star play hits from his latest album "Blunderbuss" before taking the crowd back in time.  It's safe to say pretty much everyone lost their shit when the bassline for 'Seven Nation Army' started up.

Today - Ball Park Music, Bloc Party, Last Dinosaurs and The Kooks to name a few.  I have some amazing photos and video footage which I cannot wait to share with you.  Here's to two more days of great music, beer and mud!

Ran xo